Originally, the four Wan brothers thought that this daughter's romance was just a game they played for the rest of their lives to win the smile of a beautiful woman.
Unexpectedly, the animation produced by Yu Sheng, who deployed fifty painters, was actually more popular than Gao Laozhuang, the other three brothers except Wan Guchan who worked hard to supervise the production.
This made the Wan brothers quite ugly.
Even though Gao Laozhuang still received huge box office as expected, it was still not considered a success.
Moreover, although the entertainment world in Shanghai was not as chaotic as later generations, there were still rumors flying around.
Yu Sheng's reputation was so great that it suppressed the light of the four Wan brothers.
For a time, rumors spread that they were envious of the good luck of the four Wan brothers, and their achievements were wiped out.
Therefore, the four Wan brothers strongly requested Boss Yu to take a good rest this time and leave all the work to the four Wan brothers.
The four of them also swore and swore to themselves that the next few films of Journey to the West would be filmed successfully.
Even if it is a double opening like this time, it will definitely be done perfectly.
Yu Sheng's wedding is approaching, and all the trivial matters have to be prepared, and she is very busy.
Just happy to have some leisure time.
So he agreed to the request of the four Wan brothers.
For the rest of my life, I still want to have two movies, and I started working on two classic stories from Journey to the West at the same time.
One is three dozen white-bone spirits, the other is Princess Iron Fan The team of painters recruited by Yu Sheng and the Wan brothers now number 300 people.
After working on three classic animations: Havoc in Heaven, Gao Laozhuang and Daughter's Love, the team has become very mature.
Work efficiency is also much higher than before.
Even if two large-scale animations are produced at the same time, it is expected to be completed within one year.
Yu Sheng is actually very relieved about the production of these two cartoons.
The creation of Princess Iron Fan was originally conceived by the four Wan brothers.
However, more than half of the ideas in Wan Laiming's book were directed at Princess Iron Fan.
Moreover, in real history, this Princess Iron Fan is also a landmark work in Chinese cartoons.
Princess Iron Fan was not only the first Chinese animated feature film, but also the first long animated film in Asia at the time.
In the history of world cinema, it is the fourth large-scale animated art film after Snow White, Lilliput and Pinocchio in the United States.
In later generations, Osamu Tezuka, the originator of Japanese animation who created Astro Boy, said after watching the film: "It is clear from the first glance that this animation is a work that embodies the spirit of resistance. , the Japanese army that brutally ravaged China was severely beaten by the Chinese people with concerted efforts.
The intention of this film is clear. " Komatsuzawa, who is also Japanese, also mentioned in an article that at that time, "Sun Wukong in Princess Iron Fan called on the people to rise up against the Bull Demon King, which was actually a satire on the Japanese invasion of China."
When the characters and story are perfect, it's strange that this cartoon didn't succeed.
Not to mention, after being baptized by the three classics of A Havoc in Heaven, Gao Laozhuang and Daughter's Love, the movie Princess Iron Fan is bound to be better than the original concept of the four Wan brothers in terms of character design and other technical aspects.
More than one step stronger.
What I worry about for the rest of my life is the three fights against the Bone Demons.
The plot of Three Fighting Bone Demons is actually far more complicated than Princess Iron Fan.
The relationship between the characters is much more difficult to deal with than the single fight between Sun Wukong and the Banana Fan in Princess Iron Fan.
Sun Wukong will not only fight with monsters, but also experience his own doubts about his loyal master Tang Seng.
This kind of doubt stems from knowledge and unknownness, as well as from differences in concepts.
Moreover, in this section, Zhu Bajie, a man who seems to have no less secular heart, begins to shine.
He actually knew how to use provoking methods to persuade Sun Wukong to come back.
Let Sun Wukong and Tang Seng master and apprentice get back together.
In addition, it also involves the relationship between heaven and the lower world.
Kui Mulang secretly went down to the lower world and robbed the princess.
And he plans to eat Tang Monk's meat.
It stands to reason that his crimes are much greater than those of a powerless white-bone demon.
But the endings of the two monsters were completely different.
The Bone Demon was beaten to death by Sun Wukong with a stick, while Kui Mulang was rescued and returned to heaven through intercession.
And, this can be spread out.
In Journey to the West, everyone who has some relationship with the Heavenly Court survived Sun Wukong's stick, and some even caused Sun Wukong a lot of embarrassment.
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Among them are the uncle of Buddha, the mount of Bodhisattva, the carp raised by Guanyin, the green cow and boy raised by Taishang Laojun, the jade rabbit raised by Chang'e, and so on.
After careful calculation, Tang Seng's ninety-nine and eighty-one difficulties revealed that half of the monsters had a heavenly background.
As for monsters that have no heavenly background, even the six-eared macaque who is more scheming than Sun Wukong and has the same abilities as Sun Wukong, they just end up dead.
Therefore, Yu Sheng intends to use the words of the Monkey King to describe the derivation and spread of traditional Chinese culture.
This creates a satirical classic of this era.
In the later 1986 version of the TV series Journey to the West, the plot of the original work was not greatly deleted in the section about three fights with the Bone Demons.
Therefore, for the rest of my life, I don’t have to worry about the Wan brothers changing the appearance of three dozen white-bone spirits.
As long as there are some allegorical themes and meanings, everything can be done by the four Wan brothers.
In addition, just to be on the safe side, Yu Sheng added a new theme song to Princess Iron Fan and Three Dozen Bone Demons.
That is, the theme song of the sequel to Journey to the West, starring the original cast of the 1986 version, was released two thousand years later.
I just captured a few demons and subjugated a few more demons.
Why are demons and monsters so useless?
Even if I kill you with a stick, you will lose your soul and soul.
The gods trembled, the ghosts trembled, and the wolves, insects, tigers and leopards had nowhere to hide.
I just captured a few demons and subjugated a few more demons.
Why are demons and monsters so useless?
Even if I kill you with a stick, you will lose your soul and soul.
The gods trembled, the ghosts trembled, and the wolves, insects, tigers and leopards had nowhere to hide.
I just climbed over a few mountains and crossed a few rivers.
Why is it so rugged and so white: I will go to you as well, the mountains are more dangerous and the water is worse.
I have encountered difficulties, I have endured hardships, and I have walked out on a broad and broad road to the sky.
I just climbed over a few mountains and crossed a few rivers.
Why is it so rugged and so white: I and I will go to you too.
The mountains are more dangerous and the water is worse.
I have encountered difficulties, I have endured hardships, and I have walked out on a broad and broad road to the sky.
Fuck you, the mountains are more dangerous and the water is worse.
I have encountered difficulties, I have suffered hardships, and I have walked out on a broad and broad road to the sky
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