An hour later, at around 4 o'clock in the morning, Fu Xiaoan's concubine got up to go to the bathroom and found Fu Xiaoan dead in the bedroom.
At this time, Zhu Sheng, under the cover of Chen Mo, had gone straight to Chongqing in addition to Shanghai Bund.
Zhu Sheng's family had also been safely transferred.
Since Fu Xiaoan died in Hongkou District, which was controlled by the Japanese, for the Japanese, it was like a loud slap in the face.
Moreover, the sound of this slap was so loud that few people in China could not hear it.
Even so, there was nothing the Japanese could do.
There was no reason to put pressure on the concession authorities on the Shanghai Beach, nor to cause trouble with the military commanders.
After all, the military commander has never admitted that they did it.
They could only dispatch a large number of Japanese soldiers to search passers-by and detain ordinary people, hoping to get clues after casting a comprehensive net.
However, this kind of action is destined to be nothing, and Zhu Sheng has already escaped.
After months of turmoil, the matter was settled.
When Fu Xiaoan died, Chiang Kai-shek and the four major families were the happiest.
Although they severely cheated Fu Xiao'an, they also knew Fu Xiao'an's connections and abilities.
Fu Xiao'an is still a threat to them if he doesn't die.
After Fu Xiao'an's death, Chiang Kai-shek became generous.
Not only did he instruct Dai Li to allocate the full amount of the 50,000 silver dollars requested by Zhu Sheng, but he also gave 20,000 silver dollars as a reward to Chen Mo and his men.
Chen Mo also made an unexpected windfall.
No matter how chaotic and chaotic the outside world is, the situation is changing.
For the rest of his life, he spent most of his time in the villa.
In one year's time, the Japanese attacked Pearl Harbor and the Pacific War broke out.
The Japanese broke out and moved into the concession.
Yu Sheng knew that he, Qing Xiaoyi and others did not have much time to stay in Shanghai.
There were too many things that he needed to prepare for.
Fortunately, a few days ago, Sassoon had sent the property rights transaction contracts for the three Australian ranches he had selected for Yu Sheng.
After Yu Sheng signed and paid, he became the owner of these three ranches.
The children and teenagers in the villa finally had a way out.
Moreover, for the rest of his life, he dedicated a room in his villa to develop and edit films.
He spent a lot of money to hire people to take photos of various foods, dishes, and ingredients in Shanghai.
The recordings have been completed.
All that is lacking is editing and dubbing according to the theme.
However, the editing of Yu Sheng is not intended to follow the existing themes of later generations.
The original Chinese version will be on the tip of the tongue for future generations.
Although every theme is appropriately chosen, it is also related to Chinese culture.
However, there is not much continuity or logic between themes.
Although this kind of dispersion is also a style, it is not in line with Yu Sheng's wishes.
For the films Yu Sheng collected, because I agreed with the photographers that money would be calculated based on time and quality, the photographers took extremely detailed photos.
The total screening time of these films is probably thousands of hours.
Yu Sheng chose his favorite images from them and structured them into seven themes: wood, fire, earth, metal, water, as well as the universe.
Needless to say, the former is structured in accordance with the five elements of Chinese culture.
Wood talks about the growth of vegetation, the growth and harvesting of ingredients, and the nuances that distinguish the quality of ingredients.
Fire talks about fire control.
Tu talks about the emperor’s soil, the impact of different soil qualities on food ingredients, and hundreds of mountain delicacies.
Jin talks about knife skills and kitchen utensils, and cooks and cooks work on cattle.
There is a coherent meaning in the movements.
Water emphasizes the coherence of meaning and meaning, and Chinese cuisine requires water and a variety of river and seafood dishes.
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The four directions above and below are the universe, and the past and present are the universe.
There are two articles on Yu and Zhou.
Yu talks about the growth space of Chinese food ingredients and the growth space of Chinese people.
The universe talks about the changing seasons and the brewing of time.
Although these seven articles are different from the China on the tip of the tongue for later generations, they embrace the connotation of Chinese dishes from another perspective and point directly to their cultural value.
Fortunately, Shanghai Beach was crowded with visitors from all walks of life and various supplies and dishes.
Otherwise, it would be impossible for me to complete this shooting plan of collecting the essence of Chinese dishes while living in a remote corner of my life.
As for the main dubbing actors, they are Qing Xiaoyi and Ahua.
The beginning of this documentary was designed by Yu Sheng to be sung by a child's voice and has been passed down in China for thousands of years.
Even to this day, it is still regarded as a classic solar term song by Chinese farmers.
"The spring rain shocks the clear valley sky in spring, the summer is full of awns and the summer heat is connected.
The dew in autumn is cold and frost falls, and there is snow in winter and a small severe cold in winter."
Ahua's tender voice paired with the ancient solar terms song is like the tender green grass contrasting with the vast time, which is particularly fresh and bright.
Then, Qing Xiaoyi's crisp voice began to tell about the experience of growing the ingredients.
Such a documentary has never appeared in this era.
Although it is not the same as the original version of later generations, I have inexplicable confidence in its success for the rest of my life.
More than a month later, the storm of Fu Xiaoan's death has passed.
People are always forgetful, and it is better to focus on the present than to remember the past.
On November 20, 1940, Wang Jingwei appointed Chen Gongbo as "Legislative President" and concurrently as "Mayor of Shanghai Special City".
Subsequently, Chen Gongbo also served as "Shanghai Security Commander", "Chairman of the Shanghai Branch of the Qingxiang Committee", "Chairman of the Shanghai Branch of the New Labor Promotion Committee" and many other important positions.
On January 1, 1941, the "Shanghai Special Municipal Government" was renamed the "Shanghai Municipal Government".
In fact, Fu Xiaoan's death was not a bad thing for Wang Jingwei.
Fu Xiao'an had Japanese support behind him, and his involvement with the Japanese was deeper than that of Wang Jingwei, but he did not submit to Wang Jingwei's jurisdiction.
Occupying the post of pseudo-mayor of Shanghai, but not being able to be used by Wang Jingwei, naturally made everyone in Wang Jingwei's family unhappy.
Fu Xiaoan's death was a tragic loss of a beloved general to the Japanese, but to Wang Jingwei, it was exactly what he wanted.
Moreover, since Fu Xiaoan took office on October 16, 1938, he has been busy building a relatively complete system for the Japanese.
In addition to appointing Su Xiwen as secretary-general and Japanese Yajiro Kai as city government consultant, the Secretariat, Social Bureau, Police Department, Finance Bureau, Public Utilities Bureau, Education Bureau, Land Bureau, Judicial Department, Publicity Committee, Shanghai Publicity Committee, etc.
West Special Police Headquarters, Health Bureau, Public Works Bureau, Social Movement Steering Committee, Food Administration Bureau, Education Committee, General Accounting Office, Municipal Treasury, Economic Bureau, Social Welfare Bureau, Baojia Committee, Qingxiang Affairs Bureau, Publicity Office, etc.
More than ten departments.
The administrative system has long been improved.
Wang Jingwei sent Chen Gongbo to replace Fu Xiao'an just to eat ready-made food and pave the way for Wang Jingwei so that Wang Jingwei could exact his revenge.
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