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"Twisted Knife Fine Embroidery: Different Rivers and Lakes"


Recently, I have read a lot of JG color book reviews, and I am interested in joining in the fun.

The first volume in the snow ended with the domineering shout of "teach you to hang the Northern Cool Knife all over the city", which can be described as majestic.

Since the opening of the book, it has been more than half a year since I read it.

Smacking the lips, it's really a bit of an aftertaste.

The rivers and lakes open and close the temples and look down on the immortals, and the children and daughters are all strung together by the protagonist with double knives, which seems chaotic, but in fact it is orderly.

Everyone knows that Beacon writes books: good at layout, likes to dig pits, knows sophistry, but does not know the art of dragon slaying.

As a result, the previous works were too grand because of the layout in the early stage, and the end was difficult in the later stage, which was somewhat anticlimactic.

Even the heroes, the gods are even more broken to this day.

But those who have a heart can find that this book in the snow is so far, and the speed is neither fast nor slow.

There are not many pits dug, but the pattern is not small.

If the best is the sharpness of the knife and axe, then in the snow is the twisting knife and fine embroidery, between the lines, the details, as if they are under the control of the author.

Although I don't dare to say that it is mellow and wishful, but when I taste it carefully, it really feels a little easy.

Beacon said that this is his hardest working book, whether it's true or not.

At the very least, you can feel that he is working hard.

The first volume has been finalized with 70w words in a tepid mentality.

Xu Fengnian, the son of the world riding a white horse, went all the way south in the land of Beiliang, and became a dragon and tiger.

The reed dàng is placed in front of the ground and then born, and the outside of Xiangfan City attracts thousands of ghosts to walk at night.

Emperor Wu asked the sky on the top of the city, Guangling cháo head, two people with a sword, blood stained Yanji...

Although it is not as heroic as his father's horse back then.

But the involvement is so wide, to a certain extent, it can be regarded as a young phoenix and a young phoenix.

From the famous families in the rivers and lakes, to the bureaucrats, to the powerful people who cover the sky with one hand, our Royal Highness the Prince is really a little bit of a tiger, no matter how high you are, how powerful you are, step on it first; And whether he is relying on the sword of the old sword god next to him, or the 300,000 Beiliang iron horse of the father behind him, this courage alone has already made people's blood boil, and he said: Tiger father has no dog The stunning ending of the first volume can be described as magnificent, and the boss of the second volume insists on writing about the bottom rivers and lakes.

Although it has only written a few chapters, it has a sense of empathy.

Apparently more to my taste.

After reading the first volume, Feng Nian is just a big man with an amazing background in my eyes, at best, a little less flashy than ordinary rich people, and a little more splendid.

So I'm looking forward to what kind of performance Feng Nian will have in the bottom rivers and lakes, Li Chungang, who has no "sword urging Wuyue to fall" by his side, is in danger, can he still talk and laugh freely, and when he is determined to die, what kind of bright rivers and lakes will bloom when he is determined to die, and when he raises a knife to kill, he may retain that precious bit of kindness to say that a good writer can bring readers into his story, and I, I am already 、、、、 After talking about the overall impression, let's talk about the different rivers and lakes described to us by Fenghuo in this book.

In my eyes, this book is more inclined to martial arts, with the intrigue of various factions, and the love of the children of the rangers.

There are so many masters who are no longer immortals who are not born, and they can no longer be immortals when they are born...

But this book has a little more oriental fantasy, just like the three generations of practice of bull riding, Li Chungang's sword opens the door to heaven...

In short, this is a river and lake with aura.

Let me talk about the places that make me think deeply about this river and lake from a few points.

First, the temple is closed, don't say that Zhumen's meat stinks When I first watched the beacon city, I liked his description of officialdom, although it was not as thrilling as other authors, but the undercurrent was surging and more real.

When opening a new book, the boss said that there are two main lines in the snow: one rivers and lakes and one temple.

I was really pleasantly surprised, and I had some expectations: Chinese culture has been brilliant for 5,000 years, and it has experienced 2,000 years of feudal monarchy, from the division of princes, to the centralization of power in Zhongyng, and then to the feudal officials.

There are those who have the right to collect, and there are those who have delegated power.

There are so many prototypes to learn from, I don't know which one will be used in the snow The beacon fire layout is grand, and in what way will it take us into this Liyang Dynasty that is at its peak and has a good scenery As the snow progresses, this mysterious world is slowly unveiled and presented in front of us.

The West Shu of the beautiful people and the scholars are like forests Majestic in the north, the people are fierce in the north; The place is 5,000 miles, and the Western Chu with a million halberds and all the people are soldiers Closing his eyes and thinking back, every scene is full of amazement, a splendid picture of rivers and mountains After talking about the background, let's talk about those who hold the bull's ears in the temple.

The character of the boss is that the characters lead to the story, so his character portrayal is extremely outstanding.

I believe that the most impressive thing for everyone is Jin Ge Iron Horse, Xu Xiao, who slaughtered the Six Kingdoms by himself, and another man like a tiger in the boss's pen.

Ui is slightly lame, because he is carrying 300,000 dead undead on his shoulders, but such an imposing man has withdrawn from the monstrous coat of power, he is just an old man with a rickety back, just a father with his hands on his cuffs, silently waiting for his son's return.

YU Jun; He fought a hundred battles in the yellow sand and made great achievements.

He was drunk with the emperor on the dragon couch. for the father; He was kind and loving, and taught his children well.

Even if you are getting old, you have no regrets in your life.

Even if the infamy of being slaughtered on his back, how can he look at ancient and modern China and foreign countries, heroes all over the world, which one is not famous all over the world and slandered all over the world The temple is high, but it is also too high to be cold.

Why is Zhao Yi, the cautious King of Jing'an, in the reeds, unusual, and the killer of Xu Fengnian, the king of Guangling, why did Zhao Yi initially prefer to fight the 8,000 back Kui army and leave the prince in Guangling, it is nothing more than to fight for the court for a hundred years of stability and a bright future for his own boy.

The villains in Fenghuo's pen are carefully tasted, and they all have a bit of a heroic taste, so I recently wrote that Zhao Bi, the son of the world, eats silver and eats women's ugliness, but I don't feel disgusted.

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On the contrary, I feel that this little fat man is a little inexplicably happy...

The temple is closed, don't say that Zhumen's meat stinks.

It is not easy to be a person, whether it is a person or a person.

Second, the tall people are not high, and they are also disturbed by the red dust As I mentioned earlier, there are rivers and lakes, naturally there must be a few immortals who can't be in the gods, otherwise, this rivers and lakes are not boring, but these immortals are not in my impression of seclusion, do not ask about the world, but are deeply involved, troubled by mundane things, which is also a major feature of this rivers and lakes.

Wudang Lao Zhangjiao, Wang Chonglou, the first in this book to focus on the description of the most immortal sè color of the old Taoist.

In the past hundred years of Wudang, he was the first person to cultivate the Rhubarb Court.

Break through the barrier, two fingers cut off. was at the head of the cháo, but he retreated bravely, scattered his life's strength, and only changed his martial arts for a hundred years.

It's a sigh of tears Guangling cháo stepped on the cháo, and discussed with Qi Xuanjiao on the demon slaying platform.

Li Chungang, who fights with a sword in Tsing Yi, can be described as a young man with ambition and high spirits, however, the hero has his own beauty, even if he can explode the sea with a sword, he can't cut the thread of love in his heart.

People are always like this, they like to take the stage and look into the distance, but they ignore the scenery around them.

And when the green clothes finally died under his sword, he found that she had already entered his heart, and since then, the high-spirited sword god is no longer there, and the rest is just a sloppy old man, the world only sees his realm plummeting, and a few people know the bitterness in his heart Bitter.

The most bitter is acacia, and the farthest is Yyang.

Daxueping, the old scene is old, but the old people are not seen.

A sword came, behind the pride, what kind of desolation and Wang Xianzhi battled, should have taken advantage of the situation to return to the top, but walked out of the rivers and lakes.

Among them, there is naturally a side that is tired of the entanglement of the rivers and lakes, and I think more of it, but I still can't let go of the green robe.

Zhao Xuansu, the old immortal of Longhu Mountain, tried his best to marry Xu Fengnian to protect Longhu Mountain.

Wudang bull riding master uncle, thousands of years of practice just to say goodbye to the red clothes.

At this moment, they are no longer immortals, they just want to burn out the fireworks of a lifetime, and ask for what they want in their lives. respectable The tall people are not high, a little less dusty, a little more pyrotechnics, and more human touch.

Third, thousands of red and beautiful, like Dunhuang flying immortals.

Seeing the title of this paragraph, you must have guessed what I was going to write.

That's right, it's a woman.

To quote a sentence from Beacon: What rivers and lakes are is a bead curtain.

Women are those pearls, strung with grievances and hatreds, strung into rivers and lakes.

In the book review area a while ago, I saw someone commenting that the woman in the boss's pen can be compared to Dream of Red Mansions.

Although it is a bit exaggerated, it is not untargeted.

In my opinion, the women in Xue Chinese are one of the highlights of this book.

These pearls, which are either round and bright, or leaden and restrained, are like the flying pictures of Dunhuang, although they have different expressions, they are beautiful and harmonious.

The artistic conception is blended, mellow and wishful.

Adds a lot to the book.

The yellow crane in red, the eldest sister who is charming and natural, the blue bird in Tsing Yi is better than the snow, and the woman is like a dragon in the blue bird.

The heart is persistent, the love is cooler than Jin Jian's, and the little girl Wang Dongxiang, who is unique in the world and has a girl's arms, is really beautiful.

Beacon Fire depicts the woman's kung fu, delicate but without losing aura.

Often with just a few strokes, the image of a woman can be deeply rooted in the hearts of the people and make people's eyes wet.

Just like the incomparable Princess Wu, Fenghuo has never been described positively, only occasionally mentioned, but it is vividly depicted.

As soon as I mentioned it, it seemed that there was a woman in white who was dressed in a vegetarian body and struck the fish dragon with a sword, showing her peerless elegance、、、 Ask yourself, if there is a white dress in this life who is willing to collect all the elegance for me, what more can the husband ask for haha, think, think...

People say: Since ancient times, beauties have been like famous generals, and they are not allowed to see white heads in the world.

There is never a shortage of tragic women in the books of Beacon Fire, earning enough tears for people.

Sometimes I ask myself which one of the women in the book would be if someone dies young, but I can't bear to give up any of them.

At the beginning, the departure of Pu Jia and Hu Li made me worry for a while, but now I think about it, and I still have some difficulty letting go.

Finally, I beg the beacon fire, don't let these lovely women leave us, even if this can sublimate the work, but it's too distressing...

"What child doesn't have a single river and lake in his heart Xu Fengnian smiled, generously took off the saber, and handed it to the child.

The child's eyes were full of joy and surprise, and he held the thunder knife with both hands, which was not heavy.

It seems that it is so simple, and it embraces the rivers and lakes. ” Thanks to the beacon fire, it evokes the rivers and lakes in my childhood heart, you write slowly, I read slowly.

Guarding this different river and lake together.

From readers: Guoshi Musou 010z

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