But when the gap was opened, it was discovered that there was another stone door inside.
The stone door was the kind that opened inward.
The gap in the door was sealed with white plaster.
If nothing else, there should be tap rocks inside.
It's just that this tap stone is trivial to me.
Even if I don't know how to kill a cow from across the mountain and use Qigong to break it, I can still blow it open with low-sounding explosives.
And in this deep mountain and old forest, an occasional explosion would not attract much attention.
He pushed the stone door vigorously with his hand, but it didn't move.
He asked me dumbfounded: "Boss, what should I do now?"
"You step back."
"good."
I glanced at the tomb door.
Generally, there are two locations for the tapstone, one is in the middle of the door, and the other is at the bottom of the door.
The principle of jade stone is that after people exit, before closing the door, they gently place the stone blocking the door on the groove behind the door.
There is a point at the back of the natural stone pillar to support it, and the other end follows the groove on the tomb door and slowly slides down to support the tomb door when the door is closed.
The cross section should be a capital n, and the horizontal bar at an angle of 45 degrees in the middle is the tapstone.
But it may also be H-shaped or concave.
I closed my eyes and sensed it, but I couldn't sense what was behind the door.
In desperation, he found the middle position, and with luck with his right hand, he clapped his hand towards the middle position.
There was a rumble from behind the door.
I was overjoyed, and it turned out to be a hit.
He reached out and pushed the door open, but the door remained motionless.
"But there's more down there."
I glanced at the bottom and immediately squatted down.
With luck again, I slapped my palm with a snap.
I could tell from the rebound force on my palm that there was indeed a stick at the bottom.
This was really done carefully.
Ordinary people really couldn't get in unless they used explosives.
I took a deep breath, stood up, and gently opened the door.
The moment I opened the door, there was a popping sound and a hissing sound, as if there was a big snake inside.
Dali was so frightened that he backed away repeatedly.
"Don't be afraid, it's the sound of air convection."
I said with some regret, "If there are paper or silk-like objects inside, I'm afraid it's not safe."
"You wait here, I'll go in and take a look."
I turned to Dali and said.
"Okay."
Although Dali was very eager to enter with me and it was written on his face, he probably remembered my instructions and had to obey absolutely, so he didn't ask again.
The air had already convected just now, so there was air inside.
Although it was relatively thin, if you rushed in now, you might be able to save those silk cultural relics.
When people in ancient times were buried, they would wear many layers of clothes, from spring, summer, autumn and winter.
For the princes and nobles, there must be silk clothes, gold-inlaid clothes, and embroidery clothes.
But when I stepped in, I found that there was no tomb passage.
Once I entered about two or three meters, I found a very wide space.
I took a flashlight and scanned the surroundings.
This was a hall.
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This is quite straightforward.
In southern Fujian, the tomb door leads to the tomb passage, but here the tomb door leads to the hall.
This may be due to the limited space under the stone, or it may be because the customs here in Guangdong are different.
The furnishings in the hall are very domineering.
At least I saw two screens, and from the texture point of view, they should be bronze screens.
The colorful paintings on the screens are fading and dimming little by little.
I feel so distressed that I can't breathe, and I feel so helpless as I watch a good thing go bad and lose hundreds of thousands of dollars in an instant.
There is a table in front of the screen.
The table is made of stone and emits a dark red light.
Especially under the illumination of a flashlight, this light is even more conspicuous.
"No, it's such a big bloodstone."
I can't tell the texture for a while, but this thing is definitely valuable.
The eight matching stools around it are also made of the same material.
It's a pity that I can't take it with me this time.
It's too special.
It's a big deal.
There was a set of jade flasks and wine glasses on the table.
I quickly took out the oil paper and wrapped them one by one, and then wrapped them up in a plastic inflatable box.
Behind the two screens is a bead curtain, but the bead curtain is broken at this moment, and the beads have fallen to the ground.
These beads should be from the lake, but they are too small.
There must be thousands at least.
I don't have time to pick them up.
Behind the bead curtain are two palace lanterns.
The palace lanterns are in the shape of white cranes.
There is something dark and sticky in the lamp above the crane's top.
This stuff is familiar, it is shark oil.
This room should be the court hall, it seems to be the room where the emperor reviewed memorials, but the area is too small, less than 20 square meters, and it is different from the imperial mausoleum I imagined.
Among other things, I have been to the first, second and third floors of the Qin Mausoleum, and the area of each floor is thousands of square meters.
The bead curtain on the ground was very slippery, and I almost fell down.
I carefully stepped across the lake beads on the ground, which were the two ear rooms of the east and west.
According to my understanding, these two rooms, the east warehouse and the west warehouse, are funerary objects rooms.
When I arrived at Dongcang, my heart was beating fast.
The ear room is full of things.
This ear room is about fifteen square meters, and the things inside are piled up like a mountain.
I really hate that my backpack is too small.
I squatted down and took a closer look.
There were bronze wine glasses, silverware, goldware, copperware, ironware, and pottery.
Most of them were daily utensils, drinking vessels, tableware, washbasins for bathing, and music.
Use chimes and so on.
I took out the oil paper and wrapped the things that I thought were valuable and not bulky.
I only took what I could carry.
Then he ran to the west room, the east warehouse and the west warehouse.
On the west side were weapons, armor, chariots and horses, bows and arrows, etc.
I glanced at it and found that these things really couldn't be taken away, and they weren't that valuable in comparison.
Sighing, I really hate that I am too small to take these things with me.
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"No, I can take it away."
I suddenly remembered that Old Man Yang gave me the flying saucer.
The flying saucer was empty at the moment, with at least twenty square meters of space.
"Hahahahaha."
I couldn't help but laugh out loud.
I looked at what was in front of me, and then pressed the button on the flying saucer.
A piece of green light swept across, and the weapons and even the bronze chariot and horses in the ear room in front of him were taken in.
Then I ran to the left ear room and collected all those things.
Old man Yang gave me this thing to save his life.
If he knew that I used this thing to rob tombs, he would be angry to death.
Then those amber beads on the ground, the flying saucer was like a vacuum cleaner, taking in the beads one by one.
There is also the screen, the soapstone table and chairs, and even the two white crane lamps.
In short, I will never leave anything that can be taken away.
No matter how small the mosquito is, it is still meat.
What's more, if you take out the things here casually, you can buy some money, and they are all priced in tens of thousands.
I turned around and headed towards the back tomb, where the coffin should be.
The front hall and the back bedroom are the settings of most tombs.
There is a stone bed in the middle of the back, and there is a coffin on top of the stone bed.
When I saw this coffin, I was shocked again.
Because I saw the legendary jade coffin
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