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Chapter 739: Zhuang Buming's Relic


The authorities are confused, and the bystanders are clear.

Dai Liu'er thought that the events of that day had passed, Song Juecheng and Bai Gui had reconciled, and everything was over.

And she thought that she had no desire to peep, and she and Song Quecheng were brother and sister, and the matter passed like that.

Under Zhuangzi's reminder, she understood, and suddenly broke out in a cold sweat.

Yes, in that situation at that time, what else could Song Juecheng do, naturally he agreed on the surface and put things right.

Later, if he finds out that it was she who partnered with Bai Gui to hold him hostage and take away his country, he would be a fool if he didn't do anything to you.

Under Zhuangzi's reminder, Dai Liu'er also dispelled the idea of recognizing Song Cucheng.

Of course, this is only temporary, and she still thinks in her heart: wait a while.

If Song Quecheng can't come to find trouble, it means that Song Quecheng really didn't pursue the matter of "Taoists taking Song" or "Zhuang's taking Song".

Then wait until the right opportunity, and then go to recognize Song Kuicheng's brother and sister. is still the same sentence, she doesn't want any glory and wealth, she just wants to recognize her ancestors and return to her ancestors.

The next day, Zhuangzi and Dai Liu's son and mother got up early, slipped out of the house, went out of the town, and came to the Mojia branch altar.

Zhuangzi opened the Tibetan scripture cave, and the son and mother entered the Tibetan scripture cave.

Under the leadership of Dai Liu'er, the two of them turned around in the cave of the scriptures.

Although Zhuangzi had a mechanism diagram on hand, he was not familiar with the environment inside the cave.

In the past, the division bus treated him and didn't let him run around, he was an obedient and good baby, so naturally he didn't dare to run around.

Later, with the mechanism map, he left the Mojia branch altar and left the Tibetan scripture cave until he came back last time.

Therefore, he was not familiar with the situation in the cave.

Dai Liuer and Zhuang Buming grew up in the Tibetan scripture cave and secretly practiced swords in it.

Therefore, I am very familiar with the situation in the cave.

After coming back from the dead, she had not yet entered the cave.

When she first met Zhuangzi by the waterhole, she had not fully recovered at that time.

Besides, she didn't dare to enter the cave casually, for fear of being discovered by the master.

After returning from the Qi Kingdom, she lived in the Mojia branch altar after the bird slippery left, but she did not dare to enter the Tibetan Scripture Cave at that time.

Because she was afraid of entering the Tibetan scripture cave, she remembered many past events, and Zhuang Buming's past.

She and Zhuang Buming grew up together since childhood, and like Zhuangzi and Rong'er, they have a deep affection for Zhuang Buming.

In the cave, there is an independent space between her and Zhuang Buming, which has beds and other necessary supplies.

When they practiced swords as children, the two slept together.

Later, when they grew up, the two slept separately.

One room, two beds.

The two faced each other, through the light, and looked at each other in love.

Without the permission of the master, the two maintained a pure relationship, guarded themselves like jade, and did not cross the thunder pool by half a step.

Recalling the past, Dai Liu'er's tears fell, she held back her crying, and took Zhuangzi to the hut.

It was a house built against the walls of a cave in a cave.

The perimeter of the house is made of thick planks, no different from a typical cottage.

But outside and inside the hut, there are many mechanisms.

Someone who doesn't understand the mechanism will let you die here.

The mechanism was closed, Dai Liu'er was in front, Zhuangzi followed, and the mother and son entered the hut.

Light the pine oil lamp in the house, and the inside of the hut will appear bright.

The cottage is not too big, and you can put two single beds, with a bed in the middle.

In the innermost part, there is a wooden cabinet.

Open the mechanism and open the wooden cabinet, which splits in two.

Then I opened the cabinet door, and there was a row of wooden swords of various lengths neatly hanging inside.

Underneath the cabinet, several pieces of clothing are stacked.

Dai Liu'er took out a sheepskin bag from inside, opened the sheepskin bag, and took out a blue bag embroidered with green lotus on it.

"Mother is not lying, you see Zhuang'er, this is a token of Niang, unlike the Qinglian on the picture scroll I saw last time" Zhuangzi took it and looked at it carefully, it was really the same as the blue bottom embroidered blue lotus pocket he saw in the underground secret room of the palace.

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"Mother" Zhuangzi returned the pocket to his mother and persuaded him: "Mother, we just admit it in our hearts, don't pursue Mother" "Mm-hmm" Dai Liu'er agreed to the two, and then cried softly.

"Niang" Zhuangzi doesn't know how to persuade his mother, from the perspective of human nature, he understands his mother's feelings.

What is it like to find a loved one, but you can't recognize each other While packing up the sheepskin baggage, Dai Liu'er said to Zhuangzi: "The cabinet next door is your father's relic, you open it and take a look."

Woo."

Zhuangzi also guessed that the cabinet next door was owned by his father.

It's just that he didn't dare to open it without his mother's permission.

Hearing what his mother said, he reached out and opened the door of the cabinet.

Dai Liu'er saw that his son's attention was over there, so he quickly moved his hands and eyes, stuffed the pocket into his arms, and hid it. is still the same sentence, she doesn't want anything, she doesn't want to be a princess of the Song Kingdom, she doesn't want her son to rely on Song Quecheng's uncle to get promoted and make a fortune, she just wants to recognize her ancestors and return to her ancestors.

In the unnamed cabinet of my father's village, it is almost the same as my mother's side, and there is a row of wooden swords of different lengths hanging behind the cabinet.

Underneath the cabinet, several pieces of clothing are stacked.

The clothes are brand new, but there seem to be cuts on them.

Dai Liu'er hid the token, closed the door of the cabinet, and stuck her head to this side.

Because of the small gesture just now, she stopped crying.

"This is the clothes your father wore when he was injured for the first time and almost died, and your father said it was a shame for him, and he wanted to keep this garment forever and ever.

That's why your father practiced his sword even harder.

After that, there were very few injuries. ” Dai Liu'er took out the dress, showed it to Zhuangzi, and explained what had happened.

After explaining the dress, Dai Liu'er reached out and took out a wooden sword and gestured in his hand.

"This sword is made of wood on the surface, but it actually weighs the same as the real sword.

Otherwise, when you use the real sword, it will affect the performance because the weight is different."

Zhuangzi took out one of the wooden swords and weighed it in his hand, it was really as heavy as a real sword.

"When I practiced sword with your father, I always smeared toner on the blade of the sword, and whoever had toner on his body lost, which is the kind of serious competition."

Talking about the past, Dai Liuer cried again.

"When we can live a peaceful life, I want to bring your father's remains back" Speaking of the unnamed remains of his father Zhuang, Zhuangzi remembered and asked: "Mother, my father, I have been there, why haven't I found my father's grave?"

"Master didn't dare to leave traces, for fear of being found and stolen bones" Zhuang Buming and Dai Liu'er have too many enemies, where do they dare to leave a grave in public aa2705221: