I rushed into the cave excitedly, focusing all my attention on the surrounding stone walls carved with murals.
This is sweeping thousands of armies, this is killing thousands of demons, and this is the anger of thousands of Buddhas.
I am already very proficient in the first three postures of the Eight Vajra Movements, so I can easily identify them based on this mural alone.
If you follow the order, the one on my left should be the fourth form of the Eight Vajra Postures.
I couldn't wait any longer, so I looked at it carefully.
But after watching it for a while, I was a little dumbfounded.
I was so excited that I neglected one of the most important things.
That is, everything written on it is in Sanskrit.
They know me, but I don’t know them either.
Even if there are patterns on it, if there is no formula, it will naturally not be able to exert its power.
This is like giving you a gun, but without bullets, the gun becomes just a decoration.
I frowned, then turned to look at the Vajra Spirit that had been following me.
"Old man, you should know Sanskrit, can you tell me what it means?"
After hearing this, the King Kong Spirit smiled slightly and said: "The formulas here are hard to understand.
If I understood them all, I wouldn't just teach you two moves.
What do you think?"
When I heard this, I was speechless.
Indeed, the Vajra Spirit only taught me two postures, and the third posture was taught to me by Kongzo Bodhisattva.
But now that the secret is here, how can I give up so easily?
"Spirit of King Kong, I don't think it's better than this.
Even if you can't understand the meaning above, you should be able to read it out.
Just read it out sentence by sentence and I'll memorize it all."
Seeing that I refused to give up, King Kong Spirit nodded gently and said, "Okay, then I'll read it out and you can memorize it yourself."
After saying that, he thought for a while, and then read the formula on the fourth mural to Got me.
Of course I didn’t know what he was reciting, but fortunately I have a good memory, so he recited it a few times and I was able to keep it in mind.
The next few paintings are all like this, and I have memorized the formula.
But when it came to the eighth picture, which was the last of the eight Vajra postures, the Vajra spirit fell silent.
Seeing this, I immediately asked in confusion: "Vajra Spirit, what's wrong with you?
Why don't you recite it?"
After hearing this, the Spirit of Vajra smiled slightly and said: "I can understand what is written on this last pose.
It means that after thoroughly mastering the first seven poses, the eighth pose can be understood.
So this eighth pose is not The real moves rely on your own understanding and creation, do you understand?"
Of course I understand the meaning of the Vajra Spirit, but there is clearly a pattern on this eighth form.
If you can figure it out all by yourself, wouldn't this picture be a bit redundant?
I looked at this painting carefully, but within three seconds, something happened that I couldn't believe.
This painting mysteriously disappeared I thought I was dazzled and quickly reached out to touch it.
But the stone wall was as smooth as a mirror, with no trace of chiseling at all.
I'm really speechless now.
Is it possible that this mural will disappear on its own after becoming a spirit?
There is no point in pursuing this now.
Fortunately, I have memorized the contents of the first seven postures.
Taking advantage of this opportunity, let me now integrate the first seven postures of the Eight Vajra Movements.
The fourth form that I first practiced, whether it was martial arts or magic, all followed a step-by-step approach.
For example, if you have just learned to sit, you will definitely not be able to run.
You must first learn to walk.
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The same principle applies to cultivation, so I did not rush forward rashly, but quietly thought about the fourth form.
The mural of this fourth style is engraved with a monk holding a long stick, leaping high and thrusting forward with the stick.
This seemingly ordinary stick actually gave birth to countless stick shadows.
I think this should be the secret of the fourth style.
When one stick is struck, it seems like ten thousand sticks are coming at once.
Naturally, it's not suitable for me to perform here, but I can practice it in meditation.
Just like I practiced the Nine Heavens Bagua Stick in the Lingxiao Palace before, I can also understand the essence by using it in my own sea of consciousness.
I sat cross-legged on the ground and soon fell into trance.
In the sea of consciousness, I performed the fourth form over and over again, matching the formula every time.
Unknowingly, I practiced for a day and a night.
Maybe it's because of my good foundation, but I didn't expect that I could actually master this fourth pose.
Not only that, I also figured out a name for this fourth posture, which is the unity of stick and shadow.
After completing the fourth pose, I started practicing the fifth, sixth, and seventh poses.
To my surprise, it was only seven days.
I actually completed all the first seven of the eight Vajra postures.
It's a pity that I still can't figure out how to do this eighth pose.
Anyway, with the first seven moves, my skills have greatly improved.
In addition, the physical body has been reshaped.
I think I should leave here and go back to heaven.
After all, I still don’t know whether Ling’er and the others have been saved, and whether there have been any more changes in the heaven during the period when my body and soul were destroyed.
I have declared war on Jiejiao, so naturally I cannot give up halfway.
It seems that hoping to recover all the memories here cannot be done overnight.
So, I decided to go back to heaven first.
If I am sure that Ling'er and the others have been saved, it won't be too late for me to return to Shanjian City.
I told King Kong Spirit what I was thinking, and unexpectedly I got his strong support.
This really surprised me.
I thought this guy would let me stay in Shanjian City forever.
But this time, I didn't leave alone, the little guy Relic actually followed me closely.
What makes me most helpless is that it turns out to be one with the vajra.
I just want to keep it, but it seems there is no other way.
The twenty-four heavens in the Western Buddhist world are different from the thirty-three heavens in the East.
Although the two belong to the same heaven, they are not comparable.
According to Shariputra, if you want to leave Mount Sumeru, you must dive into the Aral Sea around the mountain.
At the bottom of this Aral Sea is the passage leading to the twenty-fourth heaven of the Eastern Heaven on Earth.
If Mount Sumeru is the gateway to the Western Buddhist world, maybe the eminent monks from the Western Buddhist world took this path last time they came to heaven to help me.
Since others can leave, I have no problem.
I floated down on the Aral Sea with my vajra and planned to dive.
But what makes me depressed is that the buoyancy of this Aral Sea is really not that great.
Even if I stand on it, I can easily stand on the sea without any external force.
The buoyancy of this sea water is so great that it is self-evident.
But just because the sea water is so buoyant, I can't stop going down.
I thought about it for a while and then I had an idea.
I have just mastered the first seven of the eight Vajra postures, and this sixth posture is the best way to help me dive.
The name of this sixth form is the force of a thousand junctures.
Let’s see how I use the force of a thousand junctures to penetrate the Aral Sea: