I cursed in my mind how many stone chambers there were in this damn place.
This stone room is about the same size as the stone room where the living poison is stored.
There is nothing special about it.
If there is anything special, it is that there is a lamp holder hanging upside down from the top of the stone room, with neatly twenty-four shriveled lamps hanging on it.
Murloc head.
The entire stone chamber was shrouded in a light blue halo, hazy.
Although there is nothing special about this stone room, there is a strange atmosphere everywhere.
There is a big red robe hanging on both sides of the stone room.
The red robe is extremely new, as if it has never fallen into dust.
There is also a stone bridge in the stone chamber.
On both sides of the bridge are eighteen ancient beasts of various shapes and shapes that cannot be distinguished.
At the other end of the bridge, there is the vast Hades Palace exposed in front of me.
This is completely inconsistent with the conventional mausoleum system, whether it is the tomb of an emperor, a vassal, or a minister.
The Hades Hall is usually placed in a separate place, without any connection to the sky or water.
But in this tomb, it seems like everything is the other way around.
Why is it wrong?
Especially the twenty-four murloc heads hanging on the chandelier above this stone chamber.
Black-scaled sharks are an extremely rare species in the South China Sea.
They usually live in the deep sea for a long time, and few fishermen will salvage them.
But in this tomb, I have seen hundreds of them, which is not logical at all, because some things cannot be bought with money at all.
Just like the black-scaled shark, even a mermaid candle is often priceless.
Could it be that the owner of the tomb really stabbed the fish-man nest?
I no longer thought about it.
According to my speculation and the inscription left by Gong Shuyun in the stone room, this tomb should be buried in the tomb of the founding monarch of the ancient Dian Kingdom, King Zhuang.
Regardless of whether it is outside or inside the tomb, there is a very evil smell here.
There are four floors of ancient tombs, and basically each floor has different voodoo and evil spells.
I think the two big red robes hanging on the wall of this stone room are also a kind of poison.
If you touch or take them away easily, there will definitely be no good consequences.
But why did King Zhuang do so many things?
I definitely don't believe that he just used these.
Something to prevent your tomb from being stolen.
I think this is like a ceremony, a very huge ceremony.
And everything King Zhuang did was preparation for this ceremony.
Although this evil technique and poison are very evil, if you don't provoke these things, you won't suffer any harm.
However, there seemed to be too many weird and evil things in Prince Zhuang’s tomb.
There are poisonous insects hidden in the tomb figurines, the nine-story demon tower outside the tomb, the ghost claw tree, and the woman in the "crystal".
These things are too appalling and even a bit puzzling.
Especially the countless evil people and ghost Gu insects just now and the corpses of hundreds of black-scaled sharks.
Either the head was chopped off or the blood was drained to make a mermaid candle, plus the woman in the cocoon.
What on earth is the leader of a country preparing to be so cruel to his own people?
Rather than saying this is a royal tomb, it is better to say it is a slaughterhouse.
I leaned against the wall of the stone chamber and rested for a moment, then continued to look at the stone chamber.
The two red robes hanging on the wall are both of very simple styles, but they were not from King Zhuang's era.
Presumably they were hung by Queen Yan.
The red robes were embroidered with an extremely delicate and beautiful flower.
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But the closer I looked at the flower, the more scary it became, so I quickly turned around and walked a few steps to the edge of the stone bridge.
This stone bridge was built in the air, and below it was the endless underground, and there was no telling where it would fall.
But what is certain is that there are probably more corpses under the stone bridge than in the ancient tomb.
There are a total of eighteen strange beasts carved on the railings of this bridge.
The bridge is about three meters long.
Opposite is the vast Hades Palace.
Just taking a look at it, one can't help but sigh at the vastness of the Hades Palace.
However, when I carefully observed those strange beasts, I suddenly felt that there seemed to be something missing from those strange beasts.
None of the eighteen strange beasts had eyes, ears, mouth, nose and facial features, and the number was wrong.
Ancient people were very obsessed with numbers.
Pay high attention to them, especially Sanliu.
According to the rule for prince-level nobles to travel, at least thirty-six riders will clear the way, and their robes are mostly in thirty-six flower folds.
Even if it's not good enough, they have to make up for it.
What do these eighteen represent?
I have read some information that bronze burial objects have been unearthed in many Han tombs.
When corroded by air and water, copper flowers will appear.
However, generally the sculptures in tombs will use bronze statues to show their nobility, but in front of me These eighteen strange beasts are all made of the most ordinary stones, and they are covered with moss.
The air here is not very dry, but if you want to use this kind of temperature to grow moss here, it is absolutely impossible.
But this phenomenon did indeed occur on this strange beast, which made me lose it for a while. clue.
I frowned.
Ever since I entered the mausoleum, Gu Xinlie had said more than once that a small vassal king could have such a big mausoleum and similar things.
Now that I think about it, these words make perfect sense.
Although the ancient Dian Kingdom was very developed in bronze ware, it would never have been able to create such a huge underground mausoleum relying on its own national power.
Thinking about it, this tomb should have been built with the help of King Qin.
This can be seen from the participation of Gong Shuyun.
Furthermore, there is a huge amount of manpower, and presumably all of this manpower is provided by Qin’s prisoners of war or prisoners.
Since ancient times, there has been a saying about the six qi of copper and tin, saying: "There are six qi of gold, six parts of which are gold and tin is one, which is called the Qi of bells and tripods, five parts of which are gold and tin is one of them, which is called the Qi of axes and swords, etc. " This is enough to show the role and status of bronze ware in that era, especially for a large bronze ware country like the ancient Dian Kingdom, needless to say.
But in this ancient tomb, the only place where we have seen relatively large bronze vessels is probably the bronze mirror passage, and this is definitely not in line with the mausoleum system at that time.
I squinted my eyes.
Could it be that all the bronzes were buried in the Hades Palace?
I subconsciously glanced at the Hades Palace opposite.
I was also shocked by this idea of my own.
The tomb of King Zhuang is intertwined with entangled tomb passages, and the tomb passages extend in almost all directions.
Even the stone chambers are unknown.
I can't tell which one is the ear chamber and which one is the side chamber.
It's a pity that I still don't understand the art of finding the dragon and fixing the coffin mentioned in the Night Talk of Hundred Ghosts, otherwise I wouldn't be in such a mess.
The so-called art of finding the dragon and fixing the coffin is a secret technique that only the marshal who touches the coffin can master.
By distinguishing a series of Feng Shui elements such as shape and potential, it can be used to determine the accurate placement of the coffin in seconds by using the compass, the heavenly stems and the earthly branches.
Location.
It is said that the coffin-touching marshal who is the most proficient in this art can determine the position of the coffin in the ear room, so it is also called the coffin-fixing method.
But it's a pity that the text is too obscure.
I have read it dozens of times and still can't understand it clearly.
I can only make random guesses.
But the problem is that I don’t have a compass like Sinan.
Furthermore, the feng shui Nine Tigers Canglong outside the tomb and the jade dragon spraying water inside the tomb are simply two extremes.
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Even if I really follow the instructions in "Hundred Ghost Night Talk", I may not be able to know the reason.
Up to now, I can only speculate from the side.
It is said that if you want to rob a tomb, you must first find the tomb.
This is the skill of Xunlongtanx.
However, some emperors' tombs have been there for thousands of years, but they have never been stolen.
Why is this?
This is mainly due to two reasons.
First, since ancient times, those who come to rob the emperor's tombs are usually warlords and peasants.
People who really touch the coffins are afraid of touching the dragon's energy.
Generally, imperial tombs are afraid and will not do so.
Those who know how to do it are afraid of retribution, and besides, it is too dangerous.
Especially for the imperial tombs of the Tang Dynasty, most of the tombs were built in the mountains and hidden deep underground.
It is difficult for ordinary people to dig.
There will never be anyone driving an excavator to rob the tombs, but it is much more difficult to use earthen methods.
Digging a mountain tomb is the same as robbing the earth.
Tombs are completely two concepts.
If you really go up the mountain, you will understand.
It is easier to dig a grave or to dig a tunnel.
Second, as the old saying goes, no matter how hard the tomb wall is, it can't stop the tomb robber's shovel.
That is to say, no matter how strong the imperial mausoleum is, it cannot prevent the person who touches the coffin.
No matter how hidden it is, the mausoleum does not have legs after all, so it cannot run or fly.
Even if it is a scattered thief, one person cannot dig it out.
If it is passed on to the next person and he spends ten or twenty years digging it out, he will be stolen sooner or later.
However, generally those who understand Feng Shui and mystical arts understand that the earth's veins are crisscrossed and this emperor's Most of the tombs rest on the dragon veins or earth branch ancestral veins which have excellent feng shui.
If the veins are accidentally broken, it would be a serious crime.
Before entering the tomb of King Zhuang, we actually couldn't even find the specific location of the tomb.
If we hadn't discovered the thief, we wouldn't have known how to enter the tomb, or we would have escaped death just like that.
The question now is where the coffin is.
This Hades Palace looks weird.
If the coffin is not inside, I don't need to take the risk.
But if we don’t take this risk, it’s not an option to continue like this.
I carefully recalled every detail that happened from entering the tomb to now to see if I had missed anything.
Just thinking about it made me a little decadent.
The tomb of King Zhuang has four floors, but this is only the original tomb built by Gong Shuyun.
No one knows whether the subsequent kings of Yan and Jin have moved there again.
If I really had to look for it on my own, or if I joined forces with Gu Xinlie to look for it together, it would probably take another few decades to find it.
I gritted my teeth, stamped my feet, and moved my head.
I thought I would die.
There are hundreds of rice dumplings in this Hades Palace.
Master Lin, I have to go in and take a walk today.
At worst, I will lie here in the future.
I spat on the stone bridge, looked at the dark palace of Hades, and climbed onto the stone bridge without saying a word.
If Prince Zhuang is really not in this palace of Hades, I will evacuate immediately.
If he is here, I will find a way to raise the coffin.
However, according to my speculation, I am at least 60% sure that Prince Zhuang is in this palace of Hades. .
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I was thinking in my mind, and quickly crossed the stone bridge, but just as I arrived at the tomb passage of the Hades Hall, I heard a shout, and a fire lit up on both sides of the originally dark tomb passage."
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