The program is positioned as tourism and culture.
The tour includes beautiful scenery and food, and the culture includes historical sites, folk customs and mountain geography, showing the customs and customs of China in an all-round way.
The program has been approved by the General Administration, and it is believed that the content of such programs is positive and healthy, and promotes traditional culture.
As long as the film and television works are filmed in China, they must be submitted for approval, and you can't shoot them if you want to, once they are found to have illegal shooting and distribution, they will be punished according to the severity of the circumstances.
Miramar is funded by Phoenix Satellite TV and produced by Mu Shanshan.
Although a shooting plan has been drawn up, it is still uncertain what kind of content and style to shoot, and it is uncertain whether overseas Chinese prefer to see urban monuments or prefer to see the daily life of ordinary people.
Mu Shanshan plans to shoot a few episodes first, see the effect after the broadcast, and make corresponding adjustments according to the audience's feedback.
The program team put the first few episodes of the program in the capital, not only to shoot the well-known scenery of the Forbidden City and the Great Wall, but also the changes that are taking place in the capital at present.
They wanted to leave a real image record of China during this period.
Mu Shanshan is the choreographer and director, responsible for the commentary, and the location reporter who followed the camera interview is someone else, she is now the boss, and she doesn't have to go out as often as when she hosted Fangda variety show.
Inviting Wen Jun and Shu Qi to join the show was an accident, they were both in the Good Dream Company, and they just happened to meet.
It's not bad to let the people of Xiangjiang and Baodao talk about their feelings about the mainland, what they say is some scenes, what they yearn for the scenic spots in the mainland, the mainland has changed a lot in recent years.
Wen Jun talked about the cooperation between the two film companies from the perspective of a filmmaker, and finally added.
"I have confidence in the Chinese government, and I believe that Xiangjiang will be better after 97."
This show does not belong to the scope of the acting contract, but the nature of help, they know that the show will be broadcast in Xiangjiang in the future, and they are willing to appear on the camera, how to say that this is also an opportunity to show their faces.
For this reason, Lin Zixuan invited Wen Jun and Shu Qi to his home as guests.
In the courtyard, the crew of the two of us was filming summer scenes, and they were very busy.
Since she knew that she was going to participate in the Tokyo International Film Festival in Japan, Lin Xiaoling was more strict with herself and often stayed up late to design sub-shots.
It's not that she wants to win the award so much, it's mainly a matter of face, and she feels too embarrassed if she is brushed off.
In the summer, the relationship between the old lady and the girl in the play is better, and the girl will help the old lady wash her hair, clean up the house, and even rest in the old lady's house.
As if it were their own home, the two cared more about each other, and of course there were contradictions.
In this scene, the girl thinks that the decoration in the old lady's house is too old, and she wants to rearrange the old lady, and hang colorful pictures and posters of celebrities on the wall, which looks more colorful and fashionable.
She also put the old lady's old things together to make the house look neat and bright.
The girl thought she had done a good deed, but the old lady was very dissatisfied, and she asked the girl to restore the house to its original state.
For the old lady, the decoration of the house is a kind of memory of the past, and such a change makes her at a loss, too unfamiliar, and unable to find the feeling of the past.
The girl felt wronged, she couldn't understand that the old man was living more in memories and didn't want to change.
Xu Jinglei and Jin Yaqin are going to play this scene, the stubbornness of the old lady and the grievances of the girl.
"These are all film school students, they haven't graduated yet, and they have limited funds, so they filmed here with me."
Lin Zixuan introduced, "That's Xiaoling, studying directing." ” Lin Xiaoling used to work as a drama manager in the crew on a sunny day, and Wen Jun was a little impressed.
"I really didn't expect that Miss Lin is already filming, she is only in her early twenties, and there is no chance to make films in Xiangjiang at this age."
Wen Jun sighed, "The young filmmakers in the mainland are amazing, and they look very good." ” This is mostly polite and cannot be taken seriously.
Wen Jun has been in the Xiangjiang film and television circle for many years, and has produced and produced many films, so he doesn't value this kind of small crew, but just gives Lin Zixuan face and praises him.
"If you want to exercise, let's go sit inside."
Lin Zixuan responded.
"I'd like to see it for a while."
Shu Qi demanded.
Lin Zixuan and Wen Jun had no opinion, the two went into the house to drink tea, and Shu Qi stood outside alone to watch the small crew rehearse.
After half a year of running-in, Xu Jinglei and Jin Yaqin have long had a tacit understanding, and after rehearsing a few times, they felt that it was okay, so they officially started filming, and the two who originally talked and laughed quickly entered the state.
The old lady lost her temper over the decoration of the house, and the girl tried to argue but fell silent.
If it was before, the girl would definitely fight, but now that the relationship between the two is good, she doesn't want to make a big fuss, and the girl silently changes the house back to its original appearance.
The old and the young were angry with each other, and no one was willing to speak first, and time passed in silence.
Shu Qi saw the rivalry between these two people, and seemed to understand what a life-like performance is, she took over the endless play, and Feng Xiaogang asked the actors to live when they performed.
For life, each actor's understanding will be different.
Generally speaking, it refers to the actor to reduce the traces of performance as much as possible, so that the actor seems to "live" in the play, and to work hard to "not act", which is the opposite of dramatization.
This is not to say that the actors do not wear makeup and wear old clothes, but the performance is natural, down-to-earth, and it looks like it is in life.
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Shu Qi felt that the two actors in front of him acted very naturally, not pretentious, and comfortable to watch, so they should act like this.
After Lin Xiaoling finished filming, she would shoot the next one in the afternoon, she just noticed that Lin Zixuan brought someone back, and she also knew Wen Jun, the beautiful girl on the side should be the heroine of Feng Xiaogang's new film.
"You're Shu Qi, I've heard my brother say it."
Lin Xiaoling stepped forward to say hello, "You're welcome here, tell me what you want to drink." ” "Hello, I will."
Shu Qi said politely.
At this time, Xu Jinglei came over, and the three of them introduced each other, they were of the same age, Shu Qi was dressed more maturely, and she looked older, in fact, she was the youngest.
"Xiaoling, you talk, I'll go back to the house to read."
Xu Jinglei explained.
"You haven't finished reading it yet, it's been two days, but I've finished it in one day."
Lin Xiaoling exaggerated.
Good books should be read slowly in order to understand the meaning.
Xu Jinglei said this in her heart, she walked into the room used for filming, reclined on the bed, and picked up a bound book on the table, with a name on the cover of the book, called Xiaoxue's Great Adventure. t1706231537: