On the day of the Chinese New Year's Eve, Lin Xiaoling took the actor to the street to film.
In addition to Xu Jinglei and Liu Lin, there are also photographers and sound recorders, a total of five people, everything is simple.
This is in pursuit of authenticity and does not affect the surrounding masses, if a large group of people come, everyone will definitely be curious about what this is for, and the people are very interested in filming.
Documentary-style films do not require post-dubbing, but live recordings, recording all the sounds of life.
Xu Jinglei was wearing a police uniform and a police hat, walking on the street with Liu Lin.
The photographer followed behind with equipment and a sound recorder, filming not only the two actresses, but also the shops next to the street, the crowds walking around, and the smell of the New Year in the air.
They want to take pictures of the scene in the capital at this moment.
Only when it is necessary to film a conversation between the two actresses, the photographer will come to the two and take close-ups of their faces, mostly following them from a distance, placing the female prisoner and the policewoman in the background of the whole city.
This is the main task of today, to take pictures of the atmosphere of the New Year in Beijing.
Lin Xiaoling watched from the sidelines, silent, and let Xu Jinglei and Liu Lin play freely, the more casual the better.
This made her find the feeling of making a documentary, which is to be objective and true, although it cannot be absolutely true, but it can ensure the greatest degree of objectivity.
A few years ago, she filmed the film on the streets of the capital, and she was the subject of the photograph at that time.
Now that she's the director, she knows what she wants, and the story doesn't need to create contradictions and twists, just shoot it quietly, and leave everything to the actors and cameras.
As for what the audience will think of the story, that's the audience's business.
Some directors like to add their own concepts to the film so that the audience can accept it, so they do not hesitate to borrow actors to preach, for fear that the audience will not understand what they mean.
Some directors just shoot the stories in life, and how to interpret them requires the audience to think about it themselves.
Xu Jinglei and Liu Lin were classmates, and they had a good relationship when they were in school.
This is one of the reasons why she recommended her classmates to act, and also because Liu Lin's acting skills are good, but she didn't encounter a good opportunity.
The two walked on the street, took three buses, and encountered many accidents.
At this time, Xu Jinglei is a protector, she wants to send Liu Lin home safely, on the way, she explained to Liu Lin the changes in the capital, how to cross the road, how to take the bus, are all small things in life.
Liu Lin calmly followed Xu Jinglei's side, leaning back slightly.
This is a habit developed in prison, where prisoners always walk behind the prison guards and follow the instructions of the prison guards.
The pairing of the two attracted the attention of the masses on the street and on the bus, and someone asked Xu Jinglei what was going on.
If Xu Jinglei said that we were filming, the people around her would respond kindly, and some people wanted to show their faces in front of the camera.
If Xu Jinglei said that I was sending the prisoner home, everyone immediately looked at Liu Lin with vigilance, for fear that something would happen.
This is a plot that is not in the script, in order to maintain the dignity of the prisoner on the way home, Xu Jinglei needs to make up a reason not to let Liu Lin be discriminated against.
Later, when someone asked, she said that I was shopping with my eldest sister.
As for why there are cameras, it's quite simple, it's a documentary, called A Day in the Life of a Policewoman.
After filming in the morning, you don't have to shoot in the afternoon, Lin Xiaoling is not so unkind, everyone wants to celebrate the New Year.
Xu Jinglei drove Lin Xiaoling home, and the crew will continue filming after the fifth day of the new year.
"Do you watch the Spring Festival Gala at night," Xu Jinglei chatted.
"The Spring Festival Gala is not as good as a year after year, there are more and more hosts, and there are fewer and fewer good programs."
Lin Xiaoling complained, "I used to think it was very interesting, and I even went to the Spring Festival Gala to see it." ” "That's when you've grown up and matured."
Xu Jinglei teased, "I just accompanied my parents to see, and I went to bed after ten o'clock, I was too tired from filming, and I even had an excuse now." ” When Lin Xiaoling returned home, it was just time for lunch.
Mu Zhiyuan and Li Hong both came over, the family had a meal together, and after eating, Mu Shanshan took Zheng Xiulian and Li Hong to play mahjong for recreation, plus Lin Xiaoling was just four people.
Mahjong is a favorite entertainment for people in Beijing and a must-have for family gatherings.
Lin Zixuan generally does not participate, everyone here is his own family, and it is not good to help anyone, which is easy to cause disputes.
Mu Zhiyuan was quite concerned about Lin Zixuan's literary activities.
Especially if he can win the Italian literary award alive, once he wins a foreign literary award, Lin Zixuan will immediately rise from a well-known writer to a famous writer.
China attaches great importance to internationally influential figures.
"Children's literature can indeed play a certain role in early childhood education, but we cannot ignore the creation of serious literature, and serious literature will be recognized in China."
Mu Zhiyuan said earnestly, "In recent years, the status of writers seems to be much worse than before, but in the general direction, the status of writers has been improving. ” These are two different perspectives, in the eyes of the public, popular literature is becoming more and more popular, and serious literature is gradually declining.
But in the minds of the upper classes, the status of serious literary writers has not only not decreased, but has risen.
Popular literature is updated too quickly, lacking precipitation and accumulation, and it is difficult to create classic works that have influenced a hundred years.
In order for a country's culture to develop, it cannot rely on popular literature, but also on serious literature, and not only in China, but also in the world, serious literature is valued.
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Under the impact of popular literature and popular culture, serious literature still maintains the momentum of development.
"After Jiang Wen's film was filmed, I published the novel and promoted it together."
Lin Zixuan responded.
Although the people continue to complain about the Spring Festival Gala of Huaguo TV, they still sit around and watch this program every Chinese New Year's Eve, because there is no other better program to watch.
Objectively speaking, the director team of this year's Spring Festival Gala has worked hard to invite many Hong Kong and Taiwan stars to celebrate the New Year on both sides of the Taiwan Strait.
Both the scene and the number of stars are better than in previous years, and at the same time show the prosperity and strength of the country.
In fact, it doesn't matter what show is shown on TV, the important thing is that the family is together.
After Xiaoxue fell asleep, Mu Shanshan carried her daughter back to the house, the elderly couldn't stay up late, they went to sleep before ten o'clock.
Lin Zixuan and Mu Shanshan cleaned up the melon and fruit snacks on the table a little, prepared the items needed for tomorrow's New Year's greeting, and saw that the time was eleven o'clock.
The sketches of Chen Peisi and Zhu Shimao were played on the TV, and the audience applauded continuously.
This was the year 1998. t1706231537: