There is a phenomenon called blind spots, and there is an almost spoof game called Hidden Cats.And the Tibetan cat game that my great-grandfather Jiang Hate and I played was a perfect use of the blind spot.I said that I had carefully searched inside and outside the house before, because when I first entered the picture space, I had been in the ancestral house for a long time, and the furnishings inside and outside the house were very familiar.The picture space is based on the ancestral house in the real world, and the comic book fragment is used as a template.So from that point of view, I'm also quite familiar with the ancestral house in the real world.The bad is bad in this familiarity.Of course, it's not that I didn't bother looking for it because I was familiar, but on the contrary: I spent a long time researching and comparing things in the four directions.One of the most time-consuming were the two stone portraits that I was puzzled about.I looked and touched, but I found nothing.When I was exhausted and brought a basin of water, ready to wash my face and wake up, I finally realized that I had neglected something.Well, it was the great-grandfather who won.I searched all over the house, inside and outside, east and west, north and south, front and back, left and right, but I never thought to look up and see that the top of my head was in our local area, and the first floor of the house was the place of living; If the second floor is laid with wooden boards, it is used to place grain and pile up sundries.It is customary to frame newspapers on the joints in the ceiling to prevent dust.The Jiang family's ancestral house did not lay a wooden floor on the second floor, but only laid a bamboo fence above the dining table, water tank and wooden bed, and also pasted dust-proof newspapers and homework paper on it.The comic strip fragments I was looking for were in the same way mixed up with paste, large and small, low-key, unremarkable.To be honest, if you are not particularly attentive and careful, it is indeed difficult to find the mystery hidden in the pasted ceiling.It seems that Jiang Hate is also a thoughtful, but surprisingly flexible person who does not play according to routines.Now that the fragments of the comic strip have been found, the next thing is how to take some effective measures to protect it without changing the original layout.Thankfully, my great-grandfather's ideas inspired me, and now I have inspiration and direction.My approach, in fact, is an extension of my great-grandfather's thinking, which can be described as the icing on the cake.The first step in my work was to disguise the fragments of the comic strips as necessary to achieve a more realistic effect.The purpose of mounting newspaper on the ceiling is to keep dust out, so the prop I used to hide the true face of the comic book fragments was the dust that had accumulated over the years.Dust is naturally easy to find, and what is used to hang dust is a spider worm hanging.With dust and cobwebs, I quickly laid out the scene in my mind, and if anyone entered the ancestral house and looked at the dusty ceiling, they would think that it was because it had been unattended for years.In addition, I was confused enough by the two stone statues before, so I decided to make further use of them to strengthen the misleading effect.I found a few sheets of workbook paper in my schoolbag hanging on the wall, and then I copied a plausible comic strip fragment and pasted it above the portrait of Lu Bu of the Three Heroes Battle.Now it seems that there are two pictures, one true and one false, and they are both Journey to the West themes, so it seems more reasonable.I also specially arranged a functional invisible circle on the scrap of the cottage to hide people's eyes.That's it, I'm pretty happy with the results of my work.When I returned to the picture space, the first thing I did was to subconsciously look up at the sky.This space is still illuminated by the sun, but the sky is a little more like nothing, and there seems to be a wisp of flowing clouds and shadows in the sky, I don't know if this is caused by the spider worm hanging projection I arranged, and then I went to the source of the great river, and went into the stone cave to tell the ancestor what he had done on this trip, and listen to his opinions and opinions.As for my disposition, Zu Ling's evaluation is "acceptable".I'm glad to get such a review.Next, Zu Ling explained to me why a picture of the Three Kingdoms was abruptly inserted in the Journey to the West picture.It turned out that his great-grandfather Jiang Hate had repeated entanglements before constructing the picture space.In Jiang Ha's view, a Three Kingdoms is ostensibly about power disputes and treacherous power schemes, but the main theme is loyalty.The courtier's loyalty to his lord, brotherhood, friendship, and morality are the foundations of social and moral uprightness.At that time, he was a great believer in these values, so he wanted to use them as a basis to create a picture space.But then he changed his mind.Because in comparison, in the real world, the values in Journey to the West are more realistic, objective, cruel and real.Jiang Ha once said that all the way west, demons everywhere blocked the way, but they were all Heavenly Palace or gods and Buddha forces, and these high-sounding familiar faces were secretly hindering.The same is true of the hardships in the real world.Jiang hated that he had to give up idealism and identify with realism, which is why the current picture space was born.I believe that the past that the Ancestral Spirit said is true.On the one hand, it can be seen from the inscription left on the stone wall by Jiang Hate that his great-grandfather did reveal similar feelings.On the other hand, from my own personal experience, starting from Brother Biao and Yang Yingcui, starting with a series of events in Shimashan, and then to Lao Wang and others I met later, all prove Jiang Hat's assertion: The world is difficult, in fact, most of the familiar faces are behind their backs and secretly stirring up trouble.Zu Ling also said that in fact, the stone portrait of "Three Heroes Fighting Lu Bu" is preserved in the ancestral house, on the one hand, because Jiang Hate still has the Three Kingdoms complex in his heart and cannot let go.On the other hand, he also has the intention of pushing the boat along the river and using it to spread doubts.And the two things I did were really good at the idea of making the comic book scraps dusty.And the practice of hiding the picture of the Three Kingdoms is contrary to Jiang Hate's intention."
Well, that's—" I wiped my sweat.But Zu Ling went on to say that it doesn't matter, there's no need to worry about it.Because Jiang Hate is not a person who eats the past, and if he knows about appropriate innovation and improvement, he will inevitably be optimistic about its success.Also, there's nothing wrong with what I'm doing with my intentions, and that's fine.The most important thing is that my job is to pick up the gaps, and the benefits to the whole are not bad for the time being.As I improve in terms of realm, I will be more comfortable playing and taking on the role of guardian of the picture space.The encouragement from the ancestral spirit was heartwarming, and I smiled to him gratefully.Next, regarding the phenomenon of more clouds and shadows in the sky of the picture space, Zu Ling's statement was even more understated: "Very good, the content of the sky here has been monotonous for too long, and it is excellent to add a little embellishment, Douyue, the crow, is gradually getting a little carried away, it's time to let it be sad and sober up."
Oh, Douyue I asked Zu Ling, what kind of existence is Douyue, so weird aa2705221,,; mobile phone reading,