I felt it was difficult to breathe, my limbs were paralyzed, and I couldn't lift the submachine gun in my right hand.
Fatty and Shirey Yang behind me should be here soon, but I'm afraid I'll have to return to my position in another two seconds.
My neck was tightly held, and my head was forced upward.
I could only see the white quartzite on it, but I couldn't see what was pinching me on the other side.
I was suddenly slapped on the back, and I screamed "Ah".
My wrist and neck were so painful that they were about to break.
However, the hand that was strangling my neck disappeared like a nightmare.
It turned out that the person tapping me on the shoulder from behind was a fat man.
The fat man asked: "Commander Hu, you did a good job in that pose just now, with your head held high and your chest high.
It was a bit like the energy you used to seize revolution and promote production during the Great Leap Forward."
At this time, Shiry Yang also followed up.
Seeing this situation, he also asked what happened.
I touched my neck and felt lost.
I didn't know how to describe it at all.
I just gasped for air.
I waited for a while before telling them what happened in just a few seconds.
The fat man lost no time in teasing me for daydreaming again.
I said to the fat man and Shiry Yang, "If it's a dream, what the hell is this?"
I raised my arms to let them see the black and blue handprints on my arms.
I continued: "I have long felt that the situation in King Xian's Tomb is strange.
There are many things that should not be in the immortal cave.
There must be a ghost in this wall."
Shiry Yang asked: "Don't you carry some enlightened amulets?"
I patted the jade Buddha pendants on my chest: "There are no eggs in these things.
If it weren't for Laogui, I would have thrown them on the roadside and kept them back to call those foreign villages.
If I wear them again in the future, I will be his mother's grandson." ” Now the fat man couldn't laugh anymore.
If he looked carefully, he saw that the woman on the mural was bulging out from the flat surface.
It seemed that there was a corpse built under the portrait, and it seemed to have grown into the white quartzite.
"Is she moving?"
The fat man said to me: "Anyway, this wall is blocking the way to the tomb, so why don't we just stop doing it?
Don't we still have explosives?
Put a clay plane on it, even if there is something in the wall Blow up everything."
He put down the backpack behind him and prepared the explosives.
Supplies were constantly consumed along the way, and the fat man's backpack was already more than half empty.
It was still bulging after he copied what he saw in the tomb.
On the top is the bronze mirror.
I thought to myself that since this mirror can hold down corpses, I don't know what role it can play in looking at ghosts, so I bent down and picked up the bronze mirror, turned around and used it to shine on the portrait of the woman.
As soon as he turned around, before he could lift the mirror, he immediately felt a tightness around his neck and was strangled again.
This time the force was even stronger than before, and in the blink of an eye, no sound could be made.
Fatty and Shiry Yang were rummaging for explosives behind me, but they didn't even notice that I was being choked silently.
But this time I saw clearly that the hand holding my neck was the woman on the wall.
Once the neck is pinched tightly, the hands and feet cannot use strength, so when the hanged person kicks down the stool, he cannot lift his hands.
At this time, I can't even send a slight signal for help.
Just when I was pinched until I lost consciousness, I suddenly felt that the wall in front of me collapsed, and something jumped out of the wall.
The huge force knocked me down, and I went upside down along the rotating ramp in the hollow.
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My neck relaxed a little, and I finally took this breath.
When I rolled back, I pushed back the thing that was holding me.
The opponent used too much force and actually broke out of the wall.
Otherwise, in a few seconds, I would have been strangled to death by it.
At this time, my body also fell back involuntarily, and suddenly a hand grabbed me.
I took a closer look and saw that it was the fat man.
He and Shiry Yang avoided the thing that rolled down first, and when they saw me falling down, they grabbed me.
These situations happened so suddenly that no one understood the situation.
My neck and arm bones were burning with pain, and I quickly asked Shirey Yang and Fatty: "What was that thing that fell just now?"
Shiry Yang and Fatty shook their heads together: "It was too fast.
I didn't even see it clearly.
I saw a flash of white shadow in front of my eyes.
If I hadn't dodged in time, they would have been hit together."
Our position is in the big white hollow.
At the top, it was so dark below that it was no longer possible to see the way in.
The white thing just now fell into the black below.
I said to Shiry Yang and Fatty: "The portrait of Xian Wang's wife just now suddenly came to life and almost strangled me to death.
Let's shoot a flare down and see what's going on."
The fat man saw my panic and knew it was not a joke.
He immediately took the guy out of his backpack and loaded the flare gun.
Shiry Yang pointed to the lower right: "Over there, at five o'clock."
The fat man shot out the flare, and the empty cave immediately lit up.
In the white light, on the narrow slope below, there was a female corpse lying upside down.
She looked very fat and motionless.
When she was illuminated by the dazzling white light, she suddenly seemed to be electrified and sat up on the spot.
The fat man was so frightened that he jumped up high on the spot.
I was also shocked.
I had already aimed the "Chicago Typewriter" at the target.
How could this woman's body be embedded in the wall?
I said to the fat man: "This woman is dead."
But before he finished speaking, he saw clearly that the woman's body was not sitting up, but because her body was gradually expanding and becoming bulging, like a balloon that was constantly being filled with air, making the body appear to be getting fatter and fatter. .
Seeing this situation, Shiry Yang said to me: "When a person dies, the corpse energy is held in the body, and it will rot and swell.
This corpse has been dead for at least two thousand years.
No matter how well-preserved it is, it shouldn't be affected by the corpse energy now." swell" I said to Shiry Yang: "Why do you still have time to care about these issues now?
However, it seems that her corpse energy is not expanding, but that there is something in her body."
The female corpse swelled extremely fast, and the skin and flesh were stretched translucent in an instant.
The corpse finally burst open, and countless moths flew out from inside.
These moths were large and small, flapping their wings.
Flares swarmed nearby, instantly burying the light.
The moths born in the body of the dead are more aggressive than ordinary moths, and their vitality is also extremely tenacious.
They will fly at the sight of light, and their bodies will be filled with corpse powder.
If they touch the skin of a living person, they will also develop corpse galls.
Thousands of "corpse moths" emerged from the woman's corpse.
She must have been tampered with before her death, so there were so many corpse moths in her body.
With our equipment, we simply cannot destroy them.
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At this time, the only light source in the cave was the spotlights on the three of us, and a large group of "corpse moths" wrapped in the smoke of corpse powder flew towards us.
Although we were equipped with gas masks, our arms and legs were exposed, and we would be poisoned if we touched a bit of corpse powder, so we had to turn around and run upwards.
The white stone wall that originally blocked the way suddenly revealed a human-shaped gap.
This gap seemed to be naturally formed.
In order to seal it, the woman's body was used to fill it.
That might be the tomb chamber on the last floor.
I picked up the bronze mirror that had fallen at the door and asked the two fat men to step back inside.
Because the corpse moths flew very fast and had already rushed behind him in a moment, the fat man had no choice but to use the last incinerator to spray out a wall of fire to block the attack.
Unexpectedly, these corpse moths were extremely vicious.
They were burned by the flames and still rushed forward.
It didn't fall to the ground until its wings were burned out, still fluttering.
These many moths flying towards the fire are menacing and scattered, making it difficult to kill in large numbers.
Especially when viewed from a close distance, the bodies of those moths seem to be somewhat human-like, which makes people's hair stand on end.
The fat man's men couldn't help but feel a little weak.
After the benzane was used up, he planned to jump into the tomb at the end without looking back.
Unexpectedly, in his panic, his foot missed the mark and he fell from the top slope.
Only because he reacted quickly enough did he have his arms to hold the edge of the slope, and did not fall directly under the hollow.
There was nothing he could do about this small situation, but the fat man's feet were not firmly planted, so he felt guilty and immediately shouted: "Commander Hu, for the sake of the party and the country, please help our brother."
I had already retreated into the tomb at the end, but when I saw the fat man lost his footing and fell into the air, I had no choice but to turn around and go back with Shirey Yang, shouting to him: "Please hold on for the last two minutes." while dragging him.
Come up.
At this time, after the first wave of corpse moths were burned to pieces, the second wave of hundreds of remaining corpse moths swept in.
We jumped into the tomb behind the human-shaped gap.
We didn't have time to take a closer look at the surrounding environment.
We were just eager to find something to block the gap.
On the left side, there was a trapezoidal copper coffin with a small mouth.
The three of us didn't think much about it and just moved it to block it.
On the gap, the size is just right.
There were two slightly smaller gaps that the fat man used his black donkey hooves to fill.
Although our movements were almost at the limit, dozens of corpse moths still got in with their front and rear legs, but the number was small and they did not pose a threat.
He was beaten into meat patties with an engineer shovel.
We checked the exposed parts of the body and found no corpse powder, so we felt relieved.
We looked around and saw several strange artifacts placed there.
It seemed that this was indeed the last tomb, but what were those things used for?
I couldn't tell for a moment, but I remembered just now In a panic, they moved a nearby copper coffin to block the entrance of the tomb.
They all thought that it could be the coffin dedicated to the king.
However, it was small in size, odd in shape, and weighed less than 200 kilograms.
It was extremely strange, so they held up the "Wolf Eye" Turn around and look at the copper coffin just now.
The copper coffin is a mixture of wood and copper.
The overall color is brown and black.
It is made of nanmu and is inlaid with complex copper ornaments.
There are hollow miniature courtyards and pavilions on all sides.
There is a huge copper bird cast on the top.
The coffin lid is not sealed.
Death, there is no corpse inside, only a set of bird feathers and jade clothes.
The fat man took out the bird-feather jade clothes and found that they were of exquisite quality and were made of gold thread.
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Seeing that there was nothing extra in the coffin, I scraped it with a paratrooper knife and found that there was not even corpse mud.
This is indeed an empty coffin.
If the body had decomposed and decomposed, at least a thin layer of vermilion soil would have been left behind.
Shiry Yang said: "The empty coffin may be a decoration.
I think its symbolic meaning is far greater than its practical significance, but what does it symbolize?
This big bird looks like a phoenix.
Maybe it contains the phoenix's guts."
I said to Shiry Yang: "It may be that the wife of Xian Wang was there.
Based on the position of the shadow bones, it is estimated that the coffin of King Xian is to the east of the tomb.
And if you look at the utensils and murals in the tomb, all of the king Xian All the secrets should be here, let’s conduct a thorough search here immediately.”
This tomb does not have many traces of artificial carvings.
It is a natural white cave with a small space.
The white quartzite surrounding it has a strange shape and has many holes.
The cave is not accessible.
There are many white natural stone pillars and some The place was extremely narrow.
At this time, we were bent on finding King Xian’s coffin, and we didn’t think about how to get back for the time being.
In the most secret core tomb of the “Tomb of King Xian,” there was who knows what else, so the three of us didn’t dare to disperse.
Search forward step by step.
There are several simple murals in the tomb at the outer end, which are completely different from the exquisite large-scale paintings outside.
The compositions are very simple and the brushwork is very simple.
It seems that they were all painted by King Xian himself.
The content is shocking.
The first part is about the construction process of the "Tomb of King Xian".
According to the painting, it depicts how King Xian killed the evil god in Zhelong Mountain and subdued the local barbarians.
In the painting, the evil god is dressed in bamboo-leaf-like clothing and looks like a tomb.
They are ferocious and ferocious, with black hair all over their bodies.
They hide in a deep cave.
They are probably the skeletons of the "mountain gods" we saw.
The mountain god who was turned into a demon by King Xian had several artifacts, one of which was a jade fetus.
As we speculated, the jade fetus symbolized an ancient fertility worship.
It is said that when the moon is full every month, the local Yi people would A woman is offered as tribute to the mountain god.
The fat man saw this and said: "When the moon is full, it is indeed the estrus period for the monkeys in the forest.
They don't want female monkeys, but they only want women.
I think this is what the locals are used to.
It turns out that we mistakenly blamed King Xian." , it seems that he is also dedicated to saving the people from dire straits, and is a good leader. " I scolded you: "Fuck you, what are your principles and positions?
I find that you are a little bit indifferent now.
This tendency of yours is very dangerous.
Think about it carefully, he is going to be killed."
He bought two mandrills that eat one woman a month, but he turned more than 20,000 barbarian women into insects.
Why the hell didn’t he paint it?"
Shiry Yang said: "The bones of the mountain god, together with the Toad Palace, the Jade Fetus and other artifacts, were all sealed into the body of the poisonous dragon in Zhelong Mountain.
This poisonous dragon must be the big insect.
The content in the painting is almost the same as what we speculated.
What follows It's just some content about changing the Feng Shui pattern.
This is nothing.
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The most peculiar thing is here.
It depicts King Xian's divination sky and the content of some visions he saw.
He is obsessed with the way of immortality.
I'm afraid the root cause is It’s here.”
I saw that there was no conspicuous coffin in the tomb.
Although the positions of the real corpse and the shadow bones should overlap, the terrain of the last tomb was strange and it was extremely difficult to determine the exact location.
If the coffin of King Xian was hidden somewhere, it would not be easy to find.
I had no choice but to lose my temper and search for clues carefully.
When I heard Shiry Yang's words, I raised my eyes and looked at the "Tianji Picture".
I was startled and couldn't help but wonder: "Isn't this the lake view of Tibetan Tantric Buddhism?"
Legend has it that when Qin Shihuang was on a patrol in the past, he saw an immortal mountain appearing in the sea at the seaside.
The immortal was holding an elixir of immortality.
Therefore, he firmly believed in the theory of immortality and spent his whole life looking for the elixir of immortality on the Sanshen Mountain.
I think this incident is probably true in history.
I grew up on the coast of Fujian.
I heard from old fishermen on the seaside that there are three wonders on the sea, which are called sea water, sea market, and advection fog.
Among them, "sea city", also known as "mirage", is the most fantastic and mysterious.
Cities, mountains, people and other wonders appear out of thin air in the vast sea.
However, no one can find the location corresponding to these wonders of "sea city".
At that time, the First Emperor probably saw the "sea turtle" in Sanshen Mountain.
Otherwise, how could he easily listen to the words of a few warlocks with his knowledge?
In addition, there is also a secret activity full of mystery in Tibet.
Whenever the living Buddha passes away, the leading lamas will go to the sacred mountain and holy lake to "view the lake view".
The "lake view" is also a spectacle similar to the "sea larvae" , get inspiration from it, and look for the reincarnation of the Living Buddha.
The King Xian’s divination celestial image we see now is almost like a tantric “lake view” scene, except that the location is changed to a deep pool in the Insect Valley, with neon lights shrouding the pool, and endless visions emerging.
However, King Xian saw that it was not a fairy mountain, but a castle, built on the top of a high mountain, surrounded by white clouds at the foot of the mountain.
In the palace in the middle, there was a huge eye-shaped totem enshrined, and there were some figures in strange costumes serving around it.
This is probably the fairyland in King Xian's eyes.
He hopes that he can go to this real heavenly palace after his death.
Shiry Yang said to himself: "This city is not the country of Jingjue, but what kind of place is this?"
I said to Shiry Yang: "This may be a forbidden area in Tibet.
Although I have never seen this shrine, I have seen ancient corpses wearing such strange clothes in Qingpu, Kangba.
Since I saw those bronzes in Lingyun Palace, I felt like I had seen the copper beast somewhere before.
At that time, I felt They looked similar but not alike, so I didn’t think too much about it, because after all, there is a big difference between ancient corpses and bronze figures.
Looking at this mural now, it is definitely from Tibet, but it’s a long story, let’s find it first Muchen Zhu.
I will tell you the details when I get back."
Perhaps it was precisely because King Xian saw the totem of the giant eye in a vision similar to that in the "Viewing Lake" that he believed that the "Phoenix Gut" shaped like an eyeball was a necessary sacrifice for immortality.
But at this point, I was no longer sure.
I didn't know whether I could find the "Muchen Pearl" in King Xian's tomb, but I already felt something bad.
Maybe I would have to go to Tibet again soon.
At that time, the First Emperor probably saw the "sea sting" in Sanshen Mountain.
The three of them took a few more steps forward, changing scenery with each step.
The scene of "Tan Jing" was still painted on the wall, but this was similar to the mural in the main hall of Lingyun Palace, which showed the king ascending to heaven on a dragon.
It’s just that the composition of the picture is much simpler.
There are three more welcoming boys in the picture.
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When I saw this, I immediately broke into a cold sweat.
The three boys or messengers in this picture could not kneel down.
They were lying on the ground, with their backs exposed.
There is an eyeball-shaped mark on each neck.
This is definitely not a coincidence.
We reached out and touched the back of our necks almost at the same time, secretly thinking that something was wrong.
Fatty's crow's mouth probably meant what he said.
The three "Eternal Life Candles" that lead the boy represent the three of us.
Captain Jin.
The fat man pointed at the painting and said: "It's so fucking annoying.
He actually vilified us like this.
We look like three dogs lying down.
Damn his ancestors.
I wanted to leave the old thief with his full body after striking gold."
Corpse, now it seems that since he is unkind, don’t blame us for being unjust.”
Shiry Yang said: "This confirms one thing.
The prophets of Zagrama can accurately predict things a thousand years from now when they are near the ghost cave.
But when they leave the ghost cave in the Holy Mountain, this ability is lost.
Legend has it that the Muchen Bead comes from The things taken out of the bottomless ghost cave may also show some special omens under certain special circumstances.
Perhaps because of this, King Xian was able to see some strange phenomena by looking at the lake scenery.
I think the Muchen Bead must be In this tomb."
I looked around and said to Shiry Yang and Fatty: "Do you think there's anything abnormal here?
We've been plowing around the tomb, but we haven't seen King Xian."
's coffin" This natural cave of white quartzite, and tombs that maintain the original appearance of the cave like this are called "cave tombs" in the mausoleum system.
This "cave tomb" is already the last tomb of King Xian's tomb.
According to the burial scriptures and The structure of the earth's veins makes it impossible for there to be any more There is a secret room outside, but there is no coffin for the king in this tomb.
The only few things are nothing more than two ancient sword handles and several scattered bamboo rolls.
In this huge tomb of the king, in this last tomb There is not even a decent visible weapon.
The fat man said to me in a smart way: "I think the coffin may be hidden in the wall of the tomb.
Isn't that the case of the female corpse covered with moths?"
I said to the fat man: "The entrance to the cave was artificially blocked later.
It would take at least ten thousand years for white quartzite like this to form.
There are no traces of damage, so it cannot be hidden in the rock.
Let's look for it first." , if you really can’t find it, you have to cut out the stone according to the location of the shadow bone.”
Shiry Yang pulled my arm and asked me to look at the corner of the tomb.
I raised my "Wolf Eye" to shine the light beam over.
There was a big-bellied bronze alchemy furnace half a man tall in the corner.
Since it was in the corner, it was relatively low.
Short, I didn't notice it just now.
This might not be an alchemy furnace, but maybe some kind of special coffin, so the three of them stepped forward to check it out.
But when I got closer, I realized that this was probably not a coffin.
There were three legs under the alchemy furnace, and the belly was large and the mouth was wide.
It would be no problem to hold two adults, but it was filled with purple and white soil.
It was probably caused by the decay of some elixir. .
The fat man gradually became anxious.
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He used his brute force and kicked over the alchemy furnace, scattering the rotten golden elixirs on the ground.
It seems that we have to prepare for the worst.
There is no skeleton of King Xian in the tomb of King Xian, only a shadow bone and no Muchen Pearl.
Looking back, the swords and swords were all busy in vain.
Apart from an ownerless phoenix coffin and the alchemy furnace, there were only those utensils belonging to Nanyi and Yelang.
They were all trophies from the king.
There was no more left. thing.
There are also some colorful tomb paintings on the white quartz in this corner.
We ignored them and had to see if there were any clues in these paintings.
However, the customs here are obviously different.
Shiry Yang judged that these should be painted by the high priest.
The content in them It was the priests who planted corpse moths into the bodies of the buried princesses.
Embalming, and sealing the human-shaped gap of the "cave tomb" with the corpse, was done because no martyrs other than the royal family could be buried in the main tomb, and it seemed to be to maintain the natural state of the "cave" topography, with only one body inside.
The vacant phoenix coffin, the princess is at the door, waiting to present the king's body to be transformed into an immortal.
The more I read, the more curious I became.
These contents seemed to have deep hidden meanings.
First of all, the female corpse had been sealed in the door for thousands of years without a coffin to protect it.
How could she not have rotted yet?
Even with the antiseptic beads in her mouth, she found the peacock jade box with her body.
Put it in a sealed coffin and separate it In two thousand years, the air would have turned black and turned into dry tree bark, but before her body swelled up, it looked no different from a living person.
And since she was already dead, how could she use corpse moths to embalm?
What do the moth eggs in the corpse feed on?
Shiry Yang's words interrupted my train of thought: "The tomb of King Xian is the tomb where the king and his queen are buried together.
Lao Hu's judgment has now been confirmed.
The tomb was well sealed before we entered, which means that King Xian's body should still be there."
Here, even if the body is disassembled, some traces should be left.
As the leader of a country, he should at least have a coffin. " I said to Shiry Yang: "There is one thing we have overlooked.
Do you remember the ten longevity candles in the middle tomb?"
Three of the longevity candles are made to look like welcoming children, which may be used to scare us.
There are also seven longevity candles, six of which are black-scaled sharks.
They represent the three lives before King Xian.
The remains, the bones of King Xian who had gone through three hells, and his mother-in-law.
Although we haven't found the real body of King Xian yet, we can match them one by one in this way.
Only the largest copper bull lamp with a vigorous and simple shape is left.
According to the previous two types of longevity candles, this bull-headed longevity candle must represent something special.
It is the tenth corpse in the tomb.
I I thought maybe I had to find this tenth corpse first before I could find the real bones of King Xian.
The fat man said: "Commander Hu, I have to give you some advice.
Who told me to be so upright?
I think your statement is too logical.
If you say there are ten corpses in this tomb, doesn't that mean that we can't be so honest?"
All three of them are included.”
I quickly stopped the fat man from talking, otherwise he would never finish talking, but this was not the time to talk nonsense.
I said to the fat man and Shiry Yang: "If you want to leave your comments until the meeting, even if I used the wrong words , then let us first put this mystery into perspective The tenth corpse is called a code name.
I think this skeleton corresponding to the Bull-Headed Eternal Life Candle must be extraordinary.
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Maybe it is an existence above our consciousness.
It is precisely because of its existence that we seem to be blinded.
He blinded his eyes and turned a blind eye to the true bones of King Xian."
I was about to continue talking when suddenly my mountaineering helmet was hit, as if someone had hit me with a small stone, but the sound was very dull.
Shiry Yang seemed to have also been attacked.
He lowered his head suddenly and was caught in the shaking light. , I saw more than ten corpse moths flying towards me and hitting the light port on the helmet one after another.
I hurriedly slapped it with my gloves, and asked Shirey Yang in my hurry: "Is the entrance not blocked, leaving any gaps?"
Shiryy Yang Qi said: "Impossible, haven't we checked everything?"
As he said this, he drove away a few corpse moths, folded a green fluorescent tube, and threw it towards the human-shaped gap blocked by the phoenix coffin.
A flashlight illuminates a line, which is suitable for use when moving forward in the dark.
Lighting props such as fluorescent tubes and cold fireworks can illuminate a surface.
When the fluorescent tube is thrown against the wall, the cold green light is reflected on the white rocks. , immediately illuminated a large area, the phoenix coffin that originally blocked the entrance of the cave disappeared, and the human-shaped cave entrance was wide open
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