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Part 6 The Return of the South China Sea Chapter 38 The Bronze Palace (II)


I was full of doubts and couldn't help but ask Shiry Yang on the boat: "Guchai's sea-penetrating tattoo is so bizarre.

He has really become a guest at the bottom of the Atlantic Ocean."

Shiry Yang speculated: "The Hentian clan was isolated overseas, smelting copper with dragon fire, far away from Chinese civilization, so many people do not believe that the bronze civilization here once flourished.

They probably died out at the end of the Warring States Period, and their survivors lived on the sea and were destroyed by the Qin and Han Dynasties.

The ruler is designated as Danhu.

Guchai is a remnant of the Hentian clan.

His familiarity with the nature of water and the legend of the Hentian Kingdom depicted on the tattoo of the sea formation are the best proof. " In ancient times, the "Moshan Taoist"'s "Moshan Taoist" technique included the art of hiding images.

The secret medicine was used to prick the human skin and soaked in salt water to reveal hidden images.

The Dan people may also have many secret recipes, including using special things from the sea as potions for tattooing the skin.

They have hidden the ancient secrets of the Haters in the sea map, which has been preserved from generation to generation.

The truth about Longhu's embroidered tattoo will only be revealed when soaked in the sea water of Guixu.

Otherwise, outsiders will never know the legend that the ancient ruins of Hentian are hidden in the sea-penetrating formation.

The hot springs in the deep stream at the bottom of Guixu are boiling and boiling, and there are also low-frequency pulses that interfere with electronic signals.

I don’t know what is emitting them.

This chaotic water is neither salty nor light, and it probably contains something that other seawater does not have.

The substance should gradually increase as the depth of the seawater changes, so the shark repellent prepared with a secret recipe will be immediately dissolved by the seawater as soon as it reaches that depth.

And the medicine in Guchai's tattoo that seeped into the muscle also reacted at the bottom of the water, forming a blurry shadow.

Then the tattoo hidden in the tattoo was revealed.

What will happen under the Guixu?

Where is the door?

As he spoke, the lifeboat had already approached the rocky mountain standing on the water.

There were several stone gates standing in the water more than ten meters in front of him.

There were obvious differences in the colors on the broken stone beams.

It was difficult to judge where to enter.

I raised my hand to ask everyone to slow down, causing the lifeboat to slow down.

At this time, on the whale-belly-like rock formations, the light of the Yin Fire was obscured by the thick sea air.

The Yin Fire turned into blood, like streaks of blood slowly flowing on the dome, turning the The water surface also turned dark red.

We looked around on the undulating boat, and we all had the same feeling.

The mysterious terrain in Guixu became more and more like a real whale belly, and the yin fire in the sky seemed to be the blood of a giant whale.

Continuously flowing, the sea of ​​blood in the belly of the whale surges, the sea water is not windy and the waves are rising, and the lifeboat is like two floating leaves drifting with the current, surrounded by dangers.

The fat man clung to the iron ring that fixed the oar on the boat and shouted: "Commander Hu, if you don't get in the rubber boat, it will be over.

Why are you hesitating when you are here?"

My mind changed and I said to everyone: "I think these stone gates are not that simple.

The different colors seem to coincide with the five elements.

Today's branches all belong to fire.

We fell into the ruins together with the big sea snake.

It was then I thought it might be because it was covered in white scales and turned white like a golden elephant.

If you want to survive, please row the boat with me into the cave with high black beams on the side. " The rest of the people agreed, hit the water with their oars, and took advantage of the gap between the waves to drive the rubber boat into the cave entrance under the dark red light of the bloody sky.

As soon as we entered the half-submerged mountainside, the water surge suddenly subsided and the lifeboat immediately stabilized.

Shiry Yang raised a searchlight on the bow of the ship to explore the way, and saw that the leaden cave was actually a palace that had been collapsed and soaked by the sea.

The cave was nothing more than the palace gate.

The structure of the main hall is simple and unsophisticated, without the luxury of cornices and brackets, but it is grand in scale, uses extremely huge stones, and is majestic and majestic.

It has a somewhat "exhausting the solemnity of the world" atmosphere.

Entering it, the huge dark and deep space makes people feel particularly uneasy and depressing.

We have only seen half of the scene inside the temple.

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Most of the ancient ruins are submerged in the green and gloomy water.

The ancients regarded majesty as beauty, and often performed feats of carving mountains into statues.

Many of the ancient architectural wonders in the world were the product of thousands of years ago.

The ancient people's devout faith and perseverance in moving mountains and reclaiming seas, They are far from comparable to today's people.

We rode the lifeboat and drifted into the center of the hall with the current.

We were shocked by this majestic hall and felt a sense of wonder after thousands of years of vicissitudes.

The sea water surged and hit the stone wall outside the hall, making a roaring echo, like the roar of sea beasts and thunder, which made people tremble and feel in danger.

Even Fatty, a heartless and indifferent person, did not dare to make a sound for a long time.

The searchlight beams on the two rubber boats swept back and forth across the surrounding water, and many tall and majestic bronze statues were seen on the water in the temple.

Each of them had hideous and ugly faces, staring down, with solemn and solemn expressions.

The entire body of these bronze statues was made of bronze, and some had their lower half submerged in the water.

Many others had collapsed and were leaning sideways, destroying some of the walls and stone pillars.

However, the structure of the main hall was solid and there was no sign of collapse.

In the Bronze Age, bronze was an important weapon of the country.

The level of copper smelting technology and the scale of copper mine resources determined the rise and fall of national power.

Shiry Yang once said that to forge a bronze vessel as large as the "Si Mu Wu Ding" would require burning hundreds of acres of virgin forest for fuel alone.

The limitations of resources made bronze wares extremely valuable and were only used in important fields such as religious sacrifices or war and diplomacy.

But seeing the countless bronze statues in this hall with my own eyes, I can imagine that the Hentian clan thousands of years ago knew how to master and use the yin fire on the seabed.

They could make bronze wares without using human fire or celestial fire, and the special level of craftsmanship made the bronze statues famous in the world.

It has been soaked in sea water for thousands of years, but its copper properties are still intact.

This is unimaginable to future generations.

I noticed something seemed to be moving on the top of the hall, so I asked Shirey Yang to raise the angle of the searchlight.

When everyone saw it, they all gasped.

There are more than ten bronze human heads hanging high and low on the palace pillars with copper chains.

Each bronze human head may weigh hundreds of kilograms.

The situation is like being beheaded and then hung for public display.

The headless ones have lost their heads.

The body of the bronze man stood quietly in the corner.

What sharp weapon can cut off such a heavy and huge bronze man?

Shiryyang also felt very strange.

The tomb belonging to the Hentian clan here was only based on speculation, but when he saw the bronze figure lying horizontally and vertically in the hall, with his head in a different place, it definitely didn't look like an ancient tomb.

At this time, the rubber boat slowly moved forward, and there was a bronze statue leaning in the water, with its head tilted against the giant pillar.

The seawater was not on its shoulders.

Shiry Yang shot the searchlight beam over and landed on the bronze statue.

A ferocious face.

When the water level in Guixuli is high, the entire mountain will be submerged.

The bronze figures have been corroded by sea water for thousands of years.

The tiny corpses of various reef-loving creatures are everywhere, but the outlines of their faces are still vaguely discernible.

Uncle Ming told Guchai: "Danzi, your ancestors looked like this.

Please pay your respects sincerely and let them bless us to go back safely."

Guchai just looked at the tall bronze statues in confusion.

He looked very uneasy and asked Uncle Ming: "Uncle, how come all my ancestors' heads were chopped off?"

Uncle Ming suddenly asked Guchai to ask this question.

He really didn't know how to answer, but he wanted to be a master.

How could he be questioned by his disciple?

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He had to ask Gucai to stop talking nonsense.

Whether it's carrying corpses and searching for corpses or fishing for pearls, there are two common taboos in all these life-threatening trades.

The first is that you are not allowed to be curious.

You must pretend not to see strange things when you see them, and never ask why.

Gucai asked curiously: "Why are there ghosts?"

Uncle Ming was so angry that he slapped him on the head: "Baby, I want to ask for some explanation.

Didn't Hu Bayi already tell you earlier?

That's what he said was the second largest one."

Taboo, don’t mention ghosts” I didn't pay attention to how Uncle Ming taught Guchai his rich experience.

I just wanted to see more clearly, so I paddled continuously with the fat man, brought the boat close, and used a diving knife to scrape away the erosion on the surface.

The face of a bronze man with green fangs exposed.

People gathered around with flashlights on.

The bronze giant has a strange face.

The more you look at it, the more strange it becomes.

You can't help but want to ask: "Who is the Hatetian family and what does the so-called Hatetian mean?"

In traditional Chinese concepts, the north is the greatest, the middle is right, and heaven is the most respected.

Even in ordinary speech, one does not dare to offend God easily.

However, the name "hatred of heaven" completely subverts this concept.

Everyone made random guesses about the concept of respecting heaven as a god and what the ancestors of the Dan people did, but they couldn't get the point.

The fat man said: "I know that there used to be Nan Batian in the South China Sea, and it seems that he was wiped out by the Red Detachment of Women.

Nan Batian is a landlord class who specializes in antagonizing the common people, but I have never heard of anyone who dares to antagonize God.

Although the Red Guards at that time wanted to practice with God, they didn’t have enough planes to fly to the sky, so they gave up.

However, their ambitions were proved by poems and they dared to teach the sun and the moon to change the sky. " I listened to the fat man's nonsense, and then looked at the bronze giant with stern fangs.

I felt that his image and aura were really extraordinary, and there seemed to be a certain amount of evil in his majesty and dignity, so I said to everyone: "Comrades, have you ever heard of foreigners?"

In that legend about God and Satan, the devil Satan in the West seems to be a professional who has a grudge against God.

Will the Hattian family be in conflict with Western religions?

The legend is related because in the legend of Chinese civilization, the King of Hell in hell and the Dragon King in the sea are both leading cadres assigned by the Jade Emperor in heaven to handle specific work at the grassroots level.

They have a relationship between superiors and subordinates, and they have quite a temper with each other. , It seems that in the traditional concepts of Eastern people, there is no idea of ​​hating gods.

This is a solid world view formed by tradition. " 1st explanation: In Cantonese, it means why

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