Along the way into the mountains, our noses were almost choked by the smell of corpses, but we still felt the smell of blood rushing straight to our foreheads.
"Corpse blood" is filthy and smelly, which is very different from normal "blood".
Seeing this situation, people can't help but think of the legendary "Corpse Immortal" in the Coffin Mountain.
Is there a "corpse" buried in the tomb in front of me?
Immortal" According to Sun Jiuye, the "Earth Immortal" is Feng Shigu, who worked hard to build the "Yin Mansion" in the Coffin Mountain in order to attain enlightenment after death and practice cultivation to become a "Corpse Immortal".
The concept of "turning a corpse into an immortal after death" has been around since ancient times.
The body of foreign monks after death is called "yishu".
If a person's "body and soul remain intact" after death, they will still be condensed in "yishu".
During these tribulations, one can transcend reincarnation, enter and exit, and attain immortality through heaven and earth.
So I think the tomb in the back house is probably the burial place of Earth Immortal Feng Shigu, but I don't believe what kind of immortal he is, so I immediately want to dig open the tomb to see what's going on.
Shiry Yang said: "Blood oozing from the tomb is an ominous sign, and the corpse's blood must contain corpse poison, so we can't risk excavation easily.
Guanshan Ossuary Tower guards the tomb and looks at the tomb.
Maybe there will be some clues hidden in it, which can let us It’s not too late to figure out what’s buried underground, and wait until you have the details.”
When I thought that what Shiry Yang said was true, I asked the fat man and Yaomei to stay in front of the building to prevent the whole gang from being arrested when they entered the building.
Only Shiry Yang, myself, and Sun Jiuye went in.
The double door of the triple wooden building is tightly closed, and the door is tightly fastened by several wooden locks, making it inaccessible.
This pavilion is brilliantly made and exquisitely crafted.
The beams and squares are well placed, and the rivets and tenons are precisely spliced.
There are many craftsmanships.
It seems to have been lost in modern times, and it can be seen that the wood used in this pavilion is very old, and they are all gloomy things underground. , but the bricks, wood, earth and stone are all well preserved.
In ancient times, the weakest part of a building was the wood.
Once the wood decays, no matter how strong the bricks and tiles are, they will collapse.
However, the beams and columns in this pavilion are all well preserved, except for the materials used.
In addition to being sophisticated, this is all due to the precise design, tight construction, and tight fit between components without leaving any gaps.
Legend has it that the beams and beams built by skilled craftsmen are resistant to water and rot, keep away insects and ants, and can protect against lightning and fire.
This underground pavilion is probably that kind of building.
The door of the building is made of several wooden beams, with a rigorous and thorough structure.
The beams, columns, purlins and rafters are all connected by tenons and interlocked with a heavy wooden lock.
It is as stable as a rock.
However, we have craftsmen from the Honeycomb Mountain around us to help us open the lock and pry the door.
Effortless.
Yao Mei'er took out the master key from the treasure bag she carried with her, poked it several times at the keyhole, hooked it several times, and the first lock clicked open.
He also applied what he had learned throughout his life, avoiding the important and taking the light, and peeling it apart layer by layer.
The basic skill of the box maker in Fengfengshan was to repeatedly practice dismantling the "Luban Lock".
Since ancient palaces did not use iron nails, for fear of breaking the feng shui, everything was precisely connected with tenons.
Yao Meier is very familiar with Luban locks with joints such as "six-zi chain" and "three-star return".
Within a moment, she finally opened several doors in the center of the pavilion.
Looking from the outside, the pavilion is full of Dark and dead.
Her proficiency stunned us for a long time.
The fat man said: "My girl's craftsmanship is really not up to date.
The best Buddha in Sijiu City is probably not as sharp as you.
Can you open a safe?"
"Buddha" is the name for thieves and pickpockets in Beijing, but the boxmakers in Fengfeng Mountain have specialized in various types of pin mechanisms for thousands of years.
Turning doors and picking locks is just a minor skill among them.
Yaomei'er has After many real teachings, it is natural and neat to do it.
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But she didn't know what the fat man meant by "Buddha", and thought it was a good word, and she was quite proud of it.
After all, these almost lost skills could not be practiced in remote mountainous towns, and if they learned it, they would only treat it as middle school.
I didn't expect the dragon-slaying technique to be useful, but I didn't expect it to be useful.
At this time, Shiryyang held the Vajra umbrella and gently pushed the door open to enter the ossuary building.
Sun Jiuye followed her and entered one after another.
I told Fatty to be more careful outside and not to cut off our escape route.
The fat man said: "Lao Hu, are you interested in being such a responsible person to me?
Do you still need to give me instructions?
I have never made you worry.
I have to give you a word.
If you see a bright weapon after you go in, Don't be polite to that Sun Laojiu.
He is an old boy who owes us.
If he has something good, he will do it.
Although it is a business to find the golden elixir, it is a matter of chasing two sheep.
How can we not delay it?
Just don’t delay.”
I heard the fat man mention the word golden elixir, and my heart sank.
Looking at the strange situation in Coffin Mountain, I was afraid that not even a sheep could catch it this time.
I secretly cursed Professor Sun for being so good at pretending.
Perhaps it was because of his withdrawn personality and little contact with others that this guy pretended to be a grandson, and he was even more of a grandson than a grandson.
I hunted geese all day long, but the goose pecked my eyes, and I was actually frightened by him.
Now the possibility that the ancient tombs in Dixian Village contain thousand-year-old corpse elixirs has dropped to the lowest point.
This time we accidentally entered Coffin Mountain, we were trapped in a disaster that should not have been ours, and we were also caught by Sun Yat-sen.
The old immortal Jiu Ye was dragged deeper and deeper into the quagmire, unable to extricate himself.
Although I won't admit it myself, I may have some genes in my bones that are afraid of the world being unstable.
Subconsciously, I really want to know the secret of the Taibao of Guanshan Mountain in the Ming Dynasty.
I am also lucky, and I just hope to find the ancient corpse elixir cauldron from Dixian Village. , so I simply made up my mind and didn’t care about the results.
Thinking of this, I exchanged some random words with the fat man, pulled out the engineering shovel, passed through the two half-open wooden doors, and entered the pitch-black Guanshan Ossuary Building.
ShiryYang and Sun Jiuye were waiting for me at the second entrance.
When they saw me coming in from the outside, they turned on the tactical lights and opened the Ruyi door of the inner hall.
This building was so dark that you couldn't see your fingers.
Amidst the creaking sound of wooden shafts turning, the wooden door of the inner hall on the first floor opened, and there was a scent of sandalwood in the gloomy air inside.
I know that in ancient architecture, there is a craft that has been lost for a long time.
The pavilions and palaces created can keep birds from falling and mosquitoes and flies from entering.
In addition to special building materials, the ancient magic of the Mohist is also used.
This kind of There will be a hidden fragrance hidden in the structure of the building, which will last for thousands of years, and is called Xiaoyao Shenxian Pavilion.
Guanshan Guzanglou may be a rare Xiaoyao Shenxian Pavilion.
It seems that the Guanshan Feng family has aspects that are difficult for ordinary people to achieve in terms of architecture, Feng Shui, and mausoleums.
We stood in front of the hall and looked around.
We saw many sandalwood shelves with antiques in the building, and the pieces inside were all pieces of tortoise shells and keels.
I said to Shiry Yang and Sun Jiuye: "I'm afraid all the things that the Guanshan Taibao stole from the hanging coffin in Coffin Gorge are here."
Sun Jiuye nodded and took us forward to check.
We found that the bone armor was full of symbols of the sun, moon and stars.
Those were ancient symbols and maps, some similar to the Hetu Luoshu I had read, but more mysterious.
It is complicated and should contain some extremely ancient Feng Shui diagrams, but there are no hexagram diagrams of the sixteen hexagrams of Zhou Tian among them.
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It turns out that the ossuary building was used to store this object.
Maybe the Earth Immortal Feng Shigu was not in the building.
Shiryyang asked Sun Jiuye: "The Feng clan's mountain-viewing and mystical skills were all acquired from this."
Sun Jiuye looked at the bone armor and nodded: "Yes, there are many ancient hermit masters burying their bones in Coffin Gorge.
These bone armors, which are like heavenly books, are all-encompassing and have endless mysteries.
In addition to the ancient Feng Shui constellation methods, there are also There are many unimaginable magic techniques.
The way is a blessing and a disaster.
My ancestors used this to make a fortune, but in the end they were ruined by the word "tomb robbing".
If they hadn't stolen these hanging coffin bones.
A, no one in the descendants will be obsessed with evil and cause the disaster of annihilation."
After saying this, he sighed.
But what Sun Jiuye wanted to find most at the moment was obviously Earth Immortal Feng Shigu.
He casually read a few articles about bone armor, and didn't pay much attention to it.
He continued searching the back hall with his eyes straight.
I winked at Shiry Yang, and the two of them followed closely from behind.
Unexpectedly, as soon as they entered the back hall, they saw Sun Jiuye kneeling on the ground.
I thought to myself what I was doing by kneeling down, and I reached out my hands to help him up in vain, but when I raised my eyes, I saw many portraits hanging in the back hall.
Everyone in the paintings was wearing different clothes.
The appearance and temperament are also different.
They are not from the same era.
There is a tablet in front of the portrait.
It turns out that the back hall is the ancestral temple of the Guanshan Feng family.
Shiry Yang and I became curious and couldn't help but take a few more glances at the back.
However, we saw that the number of ancient people in the paintings was almost one in a row.
Although they had outstanding temperaments, they were all dressed in strange clothes and had indifferent expressions.
As we stood in front of the densely packed portraits, we felt like we were being stared at by countless dead people, and we felt uncomfortable all over.
Among the famous families who had received imperial titles in the past, now only Sun Jiuye is the last one left, and he has been adopted by a foreign surname.
His rickety back looked even more desolate in front of the souls of the ancestors of the Feng family.
I had to lament that the world was changing and its rise and fall were unpredictable.
After finally waiting for Mr.
Sun Jiu, the "unworthy descendant", to pay homage to his ancestors, the three of us saw that there was nothing noteworthy on the first floor of the Ossuary Building, so we went up the stairs.
Under the illumination of the tactical spotlight, I saw that the second floor was a place where scriptures were stored.
The shelves were full of ancient Taoist books, and the contents were nothing more than those Huang Lao and Luohuo techniques.
On both sides of the window pavilion, there is an ancient painting hanging.
The scene depicted in the painting is the scene of tomb robbers robbing a hanging coffin on a cliff.
This painting has a great origin.
It is the legendary picture of mountain viewing and bone robbing.
It is an ancient artifact that contains a lot of historical information.
I said to Mr.
Sun Jiuye: "This painting is the treasure of the Guanshan Feng family's house.
If you don't take it back, wouldn't it be a pity if it is left to rot in Coffin Mountain?"
Mr.
Sun Jiu said: "It's not just a treasure for the house.
It is not an exaggeration to say that the treasure of the house is a national treasure, but once this thing is released, it will definitely attract attention.
It caused an uproar, because it is related to the secret history of the Ming Dynasty imperial mausoleum, and a lot of history may be revised because of it.
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You think that the long-established history is so easy to rewrite.
Instead of asking for trouble, it is better to let it always just be a private matter. legend."
I said, "You've finally opened your eyes.
You really don't want to be a reactionary academic authority."
Sun Jiuye said, "You are a speculator.
What good intentions can you have in instigating me to bring back this mountain-viewing bone-stealing picture?
In fact, you don't even have to say this now."
It makes sense, I wasn’t being alarmist before, I don’t think any of us can hope to climb out of the coffin mountain and see the light of day again.”
There was a hint of despair in his words.
When I heard what he said, I felt even more angry: "When Sun Jiuye was in Beijing, he kept saying that he was on our pirate ship, but in the end we were on your pirate ship.
And it's hard to think about it now."
However, I didn’t plan to be buried with the Guanshan Taibao, and I thought: “I have to take the Guanshan Bone Stealing Picture back, and don’t put this broken picture on the window of our house.
"It's hard to explain the hatred in my heart."
I had a wrong thought in my mind, but I told Mr.
Sun Jiu: "Let's just wait and see.
It's not time to think of a way out.
Find the Earth Immortal Feng first."
Shigu is the top priority.
But it’s strange that in such a big coffin mountain, there is not even a single person who entered Dixian Village.
It’s so hard to see anyone alive or dead.”
Shiry Yang said: "Since the Ancestor Hall and the Treasure of the Fengzhai Guanshan Bone Stealing Picture are both in the building, this building must be a very important place.
Let's look carefully and pay attention to whether there are mezzanines and secret attics in the building. " There are many artifacts and books on this floor.
First of all, I couldn't see where I could see them, so I had to search them row by row like a horse.
When I got deeper, I saw four more ancient paintings hanging on the back wall.
Shiry Yang looked at it through the light and said happily: "It looks like a detailed topographic map of Coffin Mountain."
Sun Jiuye stepped forward to identify it in detail, pointed to the handwriting on the first scroll and said: "The picture of the house on Coffin Mountain is the original handwriting of Feng Shigu."
I also leaned over to take a closer look, and saw that the first scroll depicted Coffin Mountain hidden deep underground.
It was surrounded by cliffs like coffin boards.
The terrain was long and narrow; The whole Dixian Village is built according to the mountain top.
The houses and houses in the village are distributed very regularly, which coincides with the shape of the Nine Palaces and Bagua.
The paintings are meticulously drawn, and the architectural features of each house are present in every detail.
Judging from this picture of a mountain view and a house, the entrance to the secret passage we entered the mountain is located on the left shoulder of the "Headless Corpse".
After passing the Pao Temple, we entered the backyard of the Feng family's old house along the street.
Reached the heart of Corpse Mountain.
At the end of the ravine in the shape of a headless corpse, there is a tightly closed large stone gate hanging on the top of the mountain.
Its style is similar to the magnificent Wuyang King's underground palace.
It is completely different from the overall style of Dixian Village.
It should be left by the ancestors of the mountain. of monuments.
Sun Jiuye said: "Feng Shigu may have entered Coffin Mountain through that stone gate.
The secret passage we took was only opened later."
I nodded and looked at the second painting.
I was startled when I saw it.
It was very similar to the first painting, but it was not Dixian Village, but a large group of ancient tombs located underground in the village, which almost included All the tomb chambers and tomb passages are stacked and staggered, which is clearly visible in the eyes.
The scale and pattern are similar to the house above.
I said: "These two paintings are diagrams of the Yin and Yang two houses.
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The pictures in the pictures are the same as what we have seen.
There is nothing unexpected.
I don't know where Feng Shigu is hiding."
Shiry Yang said: "Look What’s on the belly of the corpse-shaped mountain?”
Sun Jiuye and I hurriedly looked at the position Shiry Yang said.
The giant corpse lying on his back in the coffin mountain was just a shape, not really a dead corpse.
It was just that the outline was undulating and very similar to a corpse.
On the belly of the corpse-shaped mountain, there is a wound-like crack, as if the corpse in the coffin was killed with a sharp knife before death.
The knife marks are still there.
The wonder of heaven and earth is hard to contemplate.
I couldn't see the mystery, so I had to look at the third scroll.
This painting is no longer a picture of Yin and Yang.
It depicts a narrow ravine with steep and dangerous terrain.
Many strange bronze sacrificial vessels are exposed in the soil.
There are also many people holding lanterns and torches, lining up.
The long procession passed through the winding bird path on the wall and walked to the deepest part of the ground.
People who enter the mountain never see their head or tail, and the characters in the painting have weird expressions, including men, women, old and young.
The five words "Walking at Night by Holding a Candle" are written on it, which is full of an indescribable mysterious atmosphere.
Shiry Yang said: "These are probably the people who followed Feng Shigu to build the Yin and Yang House in the mountain.
Could the deep ravine depicted in the picture of Bingzhu Night Walk be exactly the rift valley in the belly of Corpse-Shaped Mountain?"
I said: "We are still together.
It seems that Feng Shigu, an old landlord, has a way of mobilizing the masses.
But what are those people doing in the belly of the Corpse Mountain?
Do they really want to seek immortality?
I have other plans."
Speaking of this, I suddenly I thought of something, "By the way, look at this deep valley in the mountain, isn't it the Dantian that leads to Corpse-Shaped Mountain?"
I also thought that the contents in these scrolls are all related, and maybe there will be more important information hidden in the last painting. , I couldn’t wait to see it now.
But the scene in the last scroll was completely different from the scenes depicted in the previous ones, but it seemed very familiar to me: "This seems to be the ancient tomb we visited first, the King of Wuyang who was stolen by the Guanshan Taibao."
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