I continued to walk forward and slowly looked at the bluestones on the wall.
They were all trapezoidal.
After walking not far, I came to room D.
I searched carefully inside Room D, but there was no flaw at all.
Like Room C, it was made of large rectangular bluestones.
The only difference was that there was no exit on the other side of Room D, and it was a dead end.
It seems that there are no clues in this room.
I walked slowly back to C along the passage.
This time C was still C, no change.
But I came to C through B, which means there must be a passage from C to B.
I returned to the door of Channel C and continued walking along the left side of the channel.
At this time, I discovered that the bluestone in the passage was not a trapezoid but a cuboid.
I immediately looked at the wall on the right side of the passage with my wolf eyes and found that the bluestone building the wall was a trapezoid.
I understood.
As expected, I was bewildered by this cleverly designed house.
The left wall of the passage is made of cuboids, and the right side is made of trapezoids, which results in different curvatures on the walls on both sides.
The left stone wall made of rectangular blocks moves forward in a straight line, while the right stone wall moves forward in an arc direction.
In addition, the passage is very wide.
People will instinctively choose to move against one wall out of self-protection in a dark and unfamiliar environment.
If they stick to different walls, they will be led to different rooms.
In other words, going straight forward along the left side will gradually deviate from the straight direction along the right side.
If I'm not wrong, proceed along the left wall to reach Room B.
After walking for a while, I found room B.
It seems that the ghost-on-the-wall design designed by Qi Jiguang still fails to get rid of the basic principle of ghost-on-the-wall, and creates different results through imperceptible differences on both sides.
After thinking about this, I felt more relieved.
I immediately walked out of Room B, walked along the other wall, and sure enough, I arrived in Room A.
And after passing through room A, he came to room E, and from room E to himself, who in turn led to room B.
That explains it all.
After understanding the basic structure of ghost-attacking the wall, I felt much more at ease.
It seems that Fatty and Shiry Yang are also trapped in a ghost wall and can't get out.
I need to find them quickly to prevent them from encountering more dangers.
At first I was in a state of confusion because I was too impatient to find Shiry Yang.
Now that I understand the truth, I feel as if I am beyond this devilish design.
The criss-crossing passages are extremely clear in my eyes, as if I already have a blueprint in my heart.
I looked for the fat man in the direction he ran.
Sure enough, these were new rooms, but the reason was basically consistent with what I expected.
This time I no longer acted rashly because I was anxious, but carefully observed the bluestones on both sides of the passage, looking for the fat man from room to room.
I just walked to the door of a room, and suddenly a strong wind rushed towards me from the door.
I lowered my head subconsciously, and there was a clang, which was the sound of some kind of iron object hitting the wall.
Before I could straighten up, another strong wind hit me.
In a hurry, I rolled on the spot and dodged easily.
Before I could stand up, I shouted again: "Fat man, I'm the one who owns you."
The engineer's shovel that was called stopped his attack, and the fat man threw the engineer's shovel away and pulled me up from the ground.
He hugged me and said, "Old Hu, where have you gone?
This city tower is so damn weird.
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I've been wandering around here for more than an hour.
If you don't come, I'll dig into the wall."
I was almost choked by him and couldn't breathe.
I quickly broke away from the fat man's arms, rubbed my butt that was hurt by the fall just now, and said, "You are so careless.
You didn't even see who came up and started shoveling.
I If I dodge slowly, I'll be treated like a watermelon by you now.
Fortunately, you don't have the brains to shoot me.
Otherwise, you would have just waited to bury me.
The fat man ignored me and insulted him, and quickly asked me: "Lao Hu, are you fucking trying to break the wall?
I'm so fucking sweaty in these rooms that I can't get out, and I don't know what you are talking about with Shirey Yang."
What happened?
How did you find me?"
I briefly told the fat man the principle of breaking the wall.
After hearing this, the fat man slapped his thigh and said: "Damn it, why can't I get around it?"
I remember that we were once in an ancient tomb in the Western Zhou Dynasty.
The Soul-Suspending Ladder seems to be using the same principle.
Anyway, it just accidentally caught people's attention.
Do you think these ancient people were so damn idle that they didn't think about anything else every day?
How could they just do research?
Trapped people.”
I said: "This old dragon head was built by General Qi Jiguang.
In order to fight against the invasion of Japanese pirates, maybe he built this ghost wall to trap the Japanese pirates if they were unfortunate enough to enter the tower."
The fat man said curiously: "I remember last time when we were on the Hanging Soul Staircase, you said that this kind of inconspicuous little illusion can only be used when there are few people.
If the Japanese pirates really invade, thousands of them will rush in and destroy this underground place."
The place is full, what’s the point of beating up the fucking wall?”
I was stunned.
The fat man was right.
Things like ghost walls and hanging soul ladders can only trap a few people.
Once there are more people, they are useless.
Why didn't I think of that?
I patted the fat man on the shoulder and said: "Okay, little fat man, you have made rapid enough progress, and now you can draw inferences from one example to other cases.
It seems that nothing can stop a mind that pursues progress.
I really can't think about it for a while.
Now that we understand what this ghost is doing, let’s go find Shiry Yang
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