A week later, Zhang Guozhong still didn't recover.
Looking at the pile of tattered furnishings in the house where Ma Zhen lived before his death, he felt an unspeakable guilt in his heart.
However, guilt for guilt, Zhao Le's fiery game still needs to be dug out to avoid future troubles.
After discussing with Captain Li, the two came to the cemetery with more than 30 strong laborers.
Zhang Guozhong took the lead, and the surrounding villagers were a little guilty at first, but after seeing that Zhang Guozhong had been digging for a long time and nothing happened, they started to take action.
This tomb looks like an ordinary tomb, but when it is dug under a foot, the soil turns red.
It seems that the soil is mixed with "red saltpetre".
It seems that Zhu Di is really good at Zhao Leke.
According to Maoshan Shuzhi, red saltpeter is a very expensive material.
The price of one tael of red saltpeter in the Ming Dynasty was about 120 taels of silver.
According to the current specifications of this tomb, it is not worth more than a million taels anyway.
The money can't be spent.
This tomb was very different from the previous Qingshui Bureau and Heiyun Bureau.
It was generally built according to the specifications of a first-class official in the Ming Dynasty.
Halfway through the excavation, Captain Li even thought that there were not enough people, so he sent his son back to the village to find more than twenty people.
It took more than half of the village's labor force to dig for a whole day before they dug out the main tomb chamber.
It was a large pit of thirty square meters square, but the ear chamber and the side chamber were so small that they were just decorations at best.
As expected at first, there was a sitting coffin next to the tomb owner's coffin, but there was a big crack in the sitting coffin, which looked like a new crack.
It seemed that it was left by Master Ma when he defeated the Three Evils.
Several villagers dragged out the main coffin from the tomb.
It was no different from an ordinary coffin, but the front of the coffin was inlaid with a stone slab.
On the stone slab was a pattern of a dragon and tiger fighting.
The dragon entangled the tiger, and finally pressed the tiger on it. under.
Judging from the content of the slate pattern, it seems that Zhao Le really had an intention to rebel, and the final result can be imagined.
This pattern of dragon crushing tiger should be Zhu Di's final manifestation of seeking psychological pleasure, and Zhao Le was killed.
At the last moment, I did not forget to remind him: a tiger can never defeat a dragon.
The four villagers each held a corner and competed.
The lid of the coffin opened with a squeak, and a well-preserved mummy was placed in the coffin.
This mummy is different from the traditional mummy.
In the Ming Tombs Scenic Area, naturally dried mummies have been exhibited.
The corpse is yellowish brown, but the entire body of this mummy is black and gray.
It does not seem to be caused by geological reasons.
It looked as if it had been burned.
Although the red saltpeter on the walls of the coffin also acted as a desiccant, it was absolutely impossible to turn a corpse into this color.
There were no burial objects in the coffin.
There were no marks on the neck of the mummy, and there were no signs of injuries on the body.
It seemed that he had been given poisoned wine or white silk to die.
The body was unclothed, but it had an official hat on its head. , this seems to be deliberately arranged by Zhu Di in order to seek psychological pleasure.
After taking a closer look, a light-colored bulge on the abdomen of the mummy caught Zhang Guozhong's attention.
The abdomen shouldn't be a place with bones.
What is this?
He carefully cut open the abdomen of the mummy with a dragon scale dagger.
Zhang Guozhong found a small porcelain bottle, about the thickness of his index finger and about the same length as a matchbox.
Zhao Le probably swallowed it before he died.
The ones on the belly have become integrated with the flesh and skin of the abdomen.
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Holding the small porcelain vase, Zhang Guozhong looked at it for a long time.
"Could this be why Zhu Di killed Zhao Le?"
Zhang Guozhong said to himself.
"Guozhong, what valuable thing are you looking for?"
Li Fugui shouted at the top of his lungs.
"Nothing."
Zhang Guozhong secretly put the porcelain bottle into his pocket and continued to observe the body.
The surrounding villagers were busy collecting firewood, and no one noticed what Zhang Guozhong was doing in the commotion.
After a burst of fire, the mummy was burned.
In the evening, Zhang Guozhong peeled off the wax seal at home and opened the small porcelain bottle.
"Good boy" a map was presented in front of Zhang Guozhong.
The thin filament used to make the map is as thin as the glutinous rice paper used to wrap toffee in modern times.
It is almost transparent but very flexible.
It is rolled into a roll and stuffed into a porcelain bottle.
At that time, the Mawangdui Han Tomb had just been unearthed, and the cultural relics such as the plain yarn Zen clothes were still kept secret.
A total of two "plain yarn Zen clothes" were unearthed from the Mawangdui Han Tomb, both with a length of 1.3 meters and a weight of 48 grams and 49 grams respectively.
Grams, as thin as a cicada.
In the 1990s, experts used the most advanced contemporary textile technology to imitate it.
However, the counterfeit made using contemporary top-notch technology weighed only 55 grams, which was always lower than the original product.
Legend has it that during the excavation, a piece weighing only 20 grams was unearthed.
It was definitely a rare treasure, but it was stolen.
Later, the thief was brought to justice.
The mother was afraid that the thing would become evidence of her child's crime, so she took this rare national treasure away.
The fire burned.
The thief was later sentenced to death, and his mother was also sentenced for harboring the crime.
But no matter what, this rare treasure will never be seen again.
This matter is only a legend, but based on the materials used to draw this map, it seems that this silk weaving technology, which far surpasses the highest level of modern textiles, was not lost until the Ming Dynasty.
This map is about 80 centimeters square.
The pattern on it is painted with a black dye that is definitely not ink.
It is a light layer and the front and back do not affect each other.
The front of the map is a continuous mountain range and several forks.
A sitting Buddha is painted at the end of a fork in the road, and on the back is a winding passage with many crosses on both sides of the passage.
The signature below contains two long paragraphs with some strange words, which look like seal cutting.
But it was unrecognizable at all.
"Which fucking Chinese character is this?"
Zhang Guozhong also has some research on calligraphy.
The most difficult to recognize ancient Chinese characters are oracle bone inscriptions and ancient seal scripts, but the characters on this map have nothing to do with either of them, and they don't look like it.
Any foreign nationality or foreign writing is not like writing at all, to be precise.
"Could it be a code?"
Zhang Guozhong said to himself.
It stands to reason that only North Korea, Mongolia, Tibet, and Xinjiang had affiliations with the Ming Dynasty at that time, but these messy symbols are definitely not the characters of these countries or nations.
"Could it be Western or African "What kind of words?"
Zhang Guozhong was still confused.
At this moment, the first person he thought of was Old Liu Tou.
This unlucky senior brother was from the Calligraphy Association.
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He also studied Maoshan Shu and was said to be able to speak foreign languages.
Why not ask him?
After tracing the symbols on the map according to the graphics, Zhang Guozhong asked his younger brother to take him to find Lao Liutou.
At this time, Old Liu Tou was much more prosperous in prison than last time.
To be honest, even if he didn't live up to expectations, Old Liu Tou had trained under Ma Zhenren for ten years after all.
A local ruffian wanted to cause trouble for Old Liu, but he was pushed down in just a few moments.
Before Zhang Guozhong and the others came here last time, Old Liu's biggest enemy was the prison guard.
He would ask for a meal every now and then.
This was not his attitude.
This old bone can handle it.
But since the last time, Zhang Guoyi directly greeted the warden, and even sent someone within two days to send over the old files of the warden’s uncle who had been a quartermaster of the Kuomintang.
For this well-known Red Guard leader in the city , the warden could only nod and bow.
From then on, Old Liu Tou lived a comfortable life, and naturally he responded to Zhang Guozhong's junior brother's requests.
After learning that the master had become an immortal, the old man Liu Tou unexpectedly had red circles in his eyes.
When he cried, Zhang Guozhong couldn't hold it back, "Brother, master passed on the masters of Maoshan and Quanzhen."
Me, otherwise, you become a Zhang Guozhong said while wiping his nose and tears.
"Forget it, at my age, I can't even hold a hand.
I'm not mad at that thing.
It's serious if you ask us brothers to find a way to get me out."
After a while, Old Liu Tou finally got to the point.
He was sentenced to twenty years in prison.
Did he say that he would be released as soon as he got out?
Zhang Guozhong ignored Old Liu Tou's outrageous request and handed the paper traced on the map to Old Liu Tou.
"Senior brother, do you recognize this Chinese character?"
"Guozhong, where did you get this thing?"
Old Liu Tou can be considered a man who has seen the world.
Unexpectedly, after taking the note, he saw a cold sweat on his forehead, and the look on his face His expressions were distorted.
"I cut it from a stone tablet."
Zhang Guozhong did not tell the truth to this senior brother who did not know the ins and outs.
"This is a memorial."
Old Liu Tou stared at the note and took a puff of cigarette.
"No matter where you cut it from, you must never go to the place where this thing was carved."
Old Liu Tou swallowed.
"Anywhere where there is a commemorative inscription is engraved, it means that Master Shankui is no longer here.
It would be better for us brothers to have more to do than to have less to do."
At this time, Zhang Guozhong learned from old Liu Tou that death texts are words meant for the dead.
According to legend, it was created by Pei Zuwang, the founder of Zhongge Sect.
According to Maoshan Shu, evil ghosts cannot communicate with living people through language.
Evil ghosts can only talk to living people through their bodies by possessing people.
This is the bumper mentioned above.
However, it is not Every soul has the ability to cause "collision" in living people, so Pei Zuwang The real person invented this kind of condolence text, which was specially used to communicate with the dead.
Legend has it that it can even communicate with animals cultivating immortals.
The original condolence text only had pronunciation and no words.
In later generations, some capable people actually invented this kind of condolence text.
The words are the words on the map in the porcelain bottle in Zhao Le's belly.
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Because this kind of condolence script is really difficult to learn, no matter which dynasty it is, the number of people who can master this kind of language spoken to ghosts has always remained in the single digits.
In modern times, whether there are still people who can read and write this kind of condolence script is also It is unknown, but according to current situation analysis, at least in the Ming Dynasty, there were still people who mastered the reading and writing method of this kind of writing, and it is very likely that Zhao Le was one of them.
Memoirs – words written to the deceased die tiǎn A nation that worships ghosts and gods The Shui tribe is a nation that worships ghosts and gods.
The Shui people believe that whether it is the spirits of their ancestors, animals, plants, or some natural objects and natural phenomena, including mountains, rocks, caves, water, wind, rain, thunder, lightning, etc., due to some kind of "ghost" or "god" Possessed people all have souls, and these souls will never die.
When a certain object no longer exists, its soul will be transferred to other objects.
From a macro perspective, the worship objects of the Shui tribe are mainly divided into two categories, one is ghosts and the other is gods.
The souls that are dark, backward, negative, and detrimental to the people are ghosts, and the souls that are bright, advanced, positive, and beneficial to the people are gods.
Generally speaking, gods can both bless humans and punish those who make mistakes, while ghosts often harm humans.
The Shui Shu is a collection of various ghosts and ghosts, various taboos and various methods of avoiding evil and exorcism.
Every move of the Shui people including funerals, sacrifices, weddings, construction, travel, divination, festivals, production, etc. is restricted by the Shui Shu.
Therefore, in the social life of the Shui people, Shui Shu plays a wide range of roles and plays a decisive role
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