The sudden leap in the results of the Island City Middle School Broadcasting Club surprised the students and teachers in the college district who paid attention to the radio rankings.
Those broadcasters that have been surpassed in the rankings have also begun to try to catch up, but have not been surpassed, and at the same time, the broadcasters behind the rankings are at their own risk, and they have also begun to make efforts to improve the quality and popularity of broadcasting, so as to avoid becoming the next person to be surpassed.
Regarding the sudden outbreak of the Island City Middle School Broadcasting Club, the only ones who can calmly deal with the top 100 top popular radio clubs are the top 100.
They have their own self-confidence and their own judgments.
Although the leap in the rankings of the Island City High School Broadcasting Club is surprising, it is only a leap in the back row.
The higher the radio popularity ranking, the higher the demand for popularity, but it is not such a popularity that can catch up.
Moreover, in the eyes of those top 100 radio companies, there is no threat at all from a radio company that only relies on one song to become popular.
Music broadcasting is not so easy to do, let alone original music broadcasting.
No one can guarantee that every piece of their original music will be a classic, and every piece will be good and popular with the audience.
There is no guarantee that multiple songs will be created in a short period of time.
Therefore, the popularity of the Island City Middle School Broadcasting Club is only temporary.
If they can't come up with a show that stabilizes their current popularity, they are destined to become just a fleeting meteor and disappear into the sky.
And the truth is the same as the calm broadcasters in the top 100 expected.
After the song Dara Bang Bar became popular, the lyrics were completed with different perspectives.
For some time afterward, the noon radio of Island City Middle School filled the noon radio program with a cycle of these songs.
No new songs appeared.
There were no new songs, and as listeners listened to more Dara Bang, they gradually lost their freshness, and the popularity of the Island City Middle School Radio Club began to gradually decline.
It is no longer like at the beginning, it crossed more than 6,000 times in an instant, and directly rushed into 5,009.
However, contrary to the expectations of the top 100 broadcasters, after losing the impact of popularity, the broadcasters of Island City Middle School did not disappear like a meteor, but firmly took root in the ranking of more than 5,000.
Although the popularity is no longer soaring, it has not fallen, but has begun to move forward slowly step by step.
From this time on, the radio club of Island City Middle School no longer relied on the music program of the noon radio to hit the popularity ranking, but relied on the supernatural stories of various strange things broadcast at night, which firmly attracted countless fans and became the hardcore of the radio club.
As a radio show, if you want to firmly attract listeners, it is useless to have a momentary freshness.
Only by ensuring the quality of the radio program itself can the listeners have the desire to continue listening.
And how to ensure the quality of radio programs?
In Ning Shuangshuang's view, music can be used as a part of ensuring the quality of the program, but it can never be used as the main body, and can only exist as an auxiliary.
The main body of the broadcast must still rely on the story.
For radio programs, content is actually a consumable, whether it's music or a story.
After using it once, it basically accomplished its task.
In the original era, such music and stories could be repeated many times, after all, it was not necessarily the same people who listened to the radio.
However, in this future era, radio programs can be recorded for sale, and reuse will only cause listeners to lose.
So, every day the broadcast has to use new content.
This has greatly raised the quality and creative requirements of the broadcasters themselves.
This is also the reason why there are countless radio broadcasters at the bottom and cannot climb higher rankings.
So, back to the point, why is it that stories are better used as the main body of radio than music?
It's as simple as it is easy.
Compared with the complexity of arranging, lyrics and recording music, if you simply tell a story, you only need the content of a story and a mouth to tell a story.
And, for most listeners, the story is also more engaging than the music.
After all, the most important components of music are actually melody and emotion, while the most important components of a story are all kinds of funny, happy, or scary content.
Many people listen to music so much that they listen to it several times and are able to hum the melody very quickly, but they don't necessarily remember what the lyrics depict in the music.
The story, on the other hand, is composed of a detailed content through language, and when listening to the story, people will have a picture of the scene depicted in the language.
You may not necessarily remember the language that makes up the story, but you will definitely remember what the story is telling.
The difference in form and impression between the two creates two completely different effects.
The melody of the music, like a light vegetable soup, may not be impressive, but it can be tasted again and again, making people have an endless aftertaste.
The plot scene of the story is more like crispy and refreshing fried chicken, and it feels very delicious and enjoyable to eat once in a while, and the whole person will be immersed in the world compiled by this kind of story.
But fried chicken is a fried food after all, and it will be delicious to eat occasionally, but if you eat too much, you will feel tired, and then you will want to try something different.
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There will be a need for new stories, new ideas, new plots.
Of course, both the aftertaste of the music and the impression of the moment when the story is produced have their own unique characteristics.
However, it's like a comparison between vegetable soup and fried chicken.
Compared with the requirement that vegetable soup requires special attention to seasonings to be delicious, fried chicken is not as demanding as vegetable soup in terms of production requirements.
Therefore, after relying on the sudden popularity of Darabang Bar to leap by more than 6,000 people, he directly rushed into the medium popularity ranking area.
The Island City Middle School Radio Club began to rely on the various supernatural stories on the evening radio to gain a firm foothold.
Of course, there's another reason why you don't want to use new music to attract listeners, but to use the story of the evening radio to get attention.
And this reason is actually the most important.
Because, in Ning Shuangshuang's memory, compared to the number of music, the number of stories is far, much more.
After all, as a former lover of novels, the two-dimensional anime otaku.
Ning Shuangshuang's memory is more of all kinds of novels and all kinds of mythological stories that he has heard since he was a child, fairy tales and countless animated comics.
As for music, it's still relatively narrow.
She knows Luo Tianyi, Le Zhengya, Yanhe, Stardust, and Hatsune and is also very familiar with it.
The Sect Master, the Twins, the Prayer, and the Li are also familiar to her, and she has heard their music.
But apart from these, Ning Shuangshuang basically didn't know anything else.
Little Apple?
Of course, I've heard such a magical song.
Hey?
Chopsticks brothers?
Who's that?
Singing Little Apple?
Isn't Little Apple sung by the Phoenix Legend?
For some songs outside the circle, basically, Ning Shuangshuang is in this stage.
I've listened to a few of the more popular songs, but I don't know who sings them at all.
So, in order to avoid broadcasting too many times, I hollowed myself out.
Of course, Ning Shuangshuang would choose to use the story as the main theme and the music as the auxiliary for such a radio program.