Looks like me?
Hearing Zhang Kanwen's words, my heart jumped, and I finally understood what that sense of familiarity was about.
Although people often look in the mirror, it is actually difficult to remember their own appearance clearly, so when I saw this child, I didn't realize that he looked similar to me, but Zhang Kanwen was the first to discover this.
And I recalled a photo of myself when I was a child.
When Lu Zining used the power of the Heavenly Master to destroy my family's house, in addition to the bodies of my parents, there was also a small photo album recording the twenty years of our family.
There are not many opportunities for rural people to take pictures, and there are not many photos of my parents in a thin album, and most of them are my photos.
From childhood to adulthood, from the full moon to the time before I went to university, it covers the entire 18 years before I went to university.
Among them, there is a photo of my 100 days, a child of more than three months, whose appearance has just grown, and the stupidity on his face slowly disappears, and he gradually has a bit of intelligence and aura.
And I, maybe I was too naughty at the time, and when it was sunny, I didn't sit there honestly, but stood in the old-fashioned wooden chair in the countryside, with one foot on the ground and the other foot curled up on the seat, trying to climb outside, and my head was raised to look at the camera, smiling and happy......
In that photo, I am almost exactly the same as the child in the mural in front of me!
Whether it's appearance, expression, or even demeanor, it's all one person!
That's where my familiarity comes from!
This discovery made me speechless for a long time, Zhang Kanwen on the side studied the mural for a while, and when he turned his head, he found that my expression was a little wrong, and he paused for a moment, and then asked strangely, "What's wrong with you?"
The child in this mural is only slightly similar to you, so you can't be scared like this, right?
” I grinned bitterly, Zhang Kanwen had never seen me when I was a child, only looking at my current appearance, which was naturally only slightly similar to the child on this mural.
If he had seen my 100 sunshines, he would probably not have been so optimistic.
After hesitating for a moment, I suppressed the frightened and strange feeling in my heart for a while, and did not tell Zhang Kanwen the truth of the matter, but just looked up and looked at the child in the mural who was still in the mother's womb, and then turned my head and continued to walk forward.
After this mural, there are only six square stones left in front of you, one on the left and one on the right, in a total of three rows.
Each stone block is also painted with a large area of murals, and the content of each painting is different.
In the first mural, the child was born and played as a child; In the second fresco, the child has grown up and become a young man of great size, kneeling on the ground beside the bed, while the mother who gave birth to him lies on the bed, with her eyes closed, as if she had died; In the third painting, the young man is holding a wooden stick in his hand, leading the other tribesmen to fight against the wild beasts; In the fourth painting, the same young man leads the people in battle, but this time the subject has become human.
The fifth mural depicts a grand sacrificial ceremony in which countless people knelt on the ground, and it was the young man who was the first.
Unlike the previous murals, the people in this mural are only a little smaller, except for the young man at the front, who sketched a little clearly, the others only used a few rough strokes, and could barely see that it was a kneeling human being.
The reason why these people are painted so small is to contrast and reflect another person sitting cross-legged in front of the altar.
The man didn't kneel, just sat cross-legged, his size was incomparably huge, and one person occupied almost the entire space of the mural from head to toe, which was at least a hundred times larger than those kneeling on the ground.
In addition to this giant, there is also a huge stone-shaped altar on the side, on which countless sacrificial objects are placed, and whole cows and sheep can be seen, and even human corpses and heads.
Seeing this mural, Zhang Kanwen observed it for a long time, and then turned to discuss with me whether the situation recorded in this mural would indicate something that we were about to see at the time of the Spring Festival.
I discussed it with him absentmindedly, and my eyes were focused on the giant sitting cross-legged in front of the altar.
For some reason, in the very fine mural painted overall, the appearance of this giant looks very poor, except for the fact that it is a burly giant, other appearance characteristics and other things cannot be seen at all.
But I still have a very familiar feeling, because in reality, I have seen giants......
That is, Tai Sui!
This burly figure sitting in front of the altar is not Tai Sui in the Shang Dynasty?
Judging from the comparison between him and other ordinary humans, his body seems to be even bigger than Xiao Jin.
I was thinking about it like this, and Zhang Kanwen seemed to see that he couldn't discuss anything with me, so he simply stopped talking, took out his mobile phone from his body, and took a picture of the mural.
His actions reminded me at once, and I hurriedly took out my mobile phone, turned back, and started with the picture of the Xuanyao at the beginning, and took pictures of all the eight murals in the back and saved them in my mobile phone.
When I got to the last mural, I was shocked again.
In this mural, the young man seems to have become an emperor, wearing a complicated crown on his head, covering his forehead and even his eyes, standing sideways, his clothes and posture are very delicately depicted.
Behind him were countless clansmen, who looked like they were kneeling to the sky, and as if they had fallen to the ground, they had become a corpse.
And he stood there straight, with his left hand on his chest, his right hand raised high, and a huge long sword in his hand, pointing straight to the sky.
The body of this long sword, almost as wide as a person, is ink-colored, and within the sword body, an ink-colored swimming dragon can be faintly seen.
The dragon's head is in front and the dragon's tail is behind, hidden in the sword body, and it seems to be roaring to the sky with the movement of the master raising the long sword.
Outside of this long sword, there was a thick layer of dark green brilliance, which not only wrapped the sword body, but even flew out diagonally far away, like a cloud of smoke, straight across the sky.
At the end of the dark green glow, a hole seemed to crack in the sky, and from the hole you could faintly see a large rushing river, and a huge white stone gate suspended on the surface of the river.
The stone door was not closed, but a crack opened, and the dark green light emitted by the dragon sword in the young man's hand passed through the huge hole in the sky and shone on this door, as if he was trying to push this door open.
The previous murals were already very delicate, but compared to this one, they suddenly looked much rougher.
In this last mural, the figure holding the long sword high, not only every inch of clothing on the body is extremely exquisite, but even uses a lot of colored paint, so that the huge long sword sword body, there is a dragon inside, and there is a dark green brilliance outside, and the whole three layers are stacked together from the inside to the outside, but it can be perfectly reflected.
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I even doubt that my current painting skills can reach this level.
But what struck me the most was not the skillful painting technique, but what was shown in the mural.
The first is the appearance of this tall young man.
In the earlier frescoes, with the exception of his infancy, the young man had only one back, and it was not until this last painting that a side face was revealed, and half of it was hidden under the great crown.
But just by looking at his exposed cheeks and chin, I still found that familiar feeling.
In other words, when this young man grew up, he looked very similar to me, at least from my own perception.
The second is the dark green brilliance wrapped around the sword body, no matter how you look at it, I feel that it is exactly the same as Wu Qi.
Judging from all the frescoes, the eggs of the birds fell from the sky, and the woman then gave birth to a son, who, when he came of age, led his people to drive away wild beasts, fought against other tribes, and was crowned king.
It is likely that this is a record of the establishment of the Shang Dynasty, and the green light on the young man's sword at the end proves that he was using Wu Qi.
This is completely different from my previous speculation, I used to think that since the Shang Dynasty sacrificial ritual could transform Tai Sui's body into a true dragon vein, it meant that the Shang was the culprit who ended Wu Qi.
But now, the ancestors of the merchants were all using witch qi, and it is clear that this is not the case.
Finally, there is the giant hole in the sky.
The long river in the giant cave and the huge white stone gate on the surface of the river look very unusual, although it is only a mural, but every time I move my eyes to it, I always have a kind of panic in my heart, as if I have seen something that I should not see.