Everyone is different.
Similarly, different directors have different styles.
This is not only reflected in the style of the film, but also in the shooting style of the crew.
Some directors have a more scattered style, such as Jiang Wen.
When filming "Let the Bullets Fly", the script was not satisfied, and as soon as the machine was stopped, the words began to be changed on the spot.
A script can be filmed with twice as much handwritten content as printed at the end.
Some directors have a more casual style, such as Lou Ye.
The script never writes a clear story, and when filming, he directly tells the actor to let him feel it.
When you feel it, you have emotions; When the emotions are there, the story comes out.
Some directors have a more Wang Jiawei style, such as Wang Jiawei.
"The Grandmaster", one shot is three years. turned a wanderer into a melancholy uncle, and a literary young man into a martial arts champion.
Oh, by the way, Director Wang estimated that filming had stopped recently.
Because Song Xiaofei, the photographer of the crew of "Killing", is the photographer of "The Grandmaster".
According to him, the director went out to look for materials, and the crew temporarily stopped filming.
Just as Guanhu called him, he came over.
As for Guanhu's style, it is just the opposite of Wang Jiawei's style, he can't wait to stay in the crew for twenty-five hours a day, every hour.
Although Taoping Qiang Village, where the crew is located, is a scenic spot, it is also a village that retains its original appearance, with no entertainment facilities, and can only work every day except for rest.
This is in line with Guanhu's mind, and he doesn't stop filming for twelve or thirteen hours a day.
Mu Ming finally knew why she had asked herself how her physique was, with this work intensity, every good physique is really easy to get tired and lie down.
For example, now, Mu Ming, who has been carrying the machine for more than two hours, is a little unbearable.
On the day Mu Ming first came, he was directly transferred to Song Xiaofei by Guanhu, and then Song Xiaofei let himself carry the camera in a blink of an eye.
At that time, Mu Ming was still surprised, this crew was very short of people, let herself be a newcomer to carry the machine.
In the early days, many directors did not like to use tripods and guides, and the cameras were all carried by the photographer after a scene.
Therefore, a photographer who is only responsible for shooting and not responsible for directing can also be called a machine bearer.
However, Mu Ming obviously thought about it.
The carrying machine that Song Xiaofei said to him is the real "carrying" machine.
As mentioned before, the ancient village of Taoping Qiang Village is built on the mountain, so there is no smooth road in the village, and it is all uphill and steps.
Even if there was a shelf, the camera couldn't stand at all, and the camera had to stare at the frame, so someone had to be there to help hold the machine.
So what's the point of you asking me if I've ever studied videography!
I asked so much detail!
Actually, it still makes sense.
Because he always stays with the machine, Mu Ming can see every change in the lens and every change in position.
Moreover, without the limitations of the machine screen, the scene of the lens is directly reflected like the field of view, which is more realistic and expansive than what is seen from the camera.
Mu Ming half-squatted on a broken step, reaching out to lean on the shelf beside her.
Raising his head, not far away are the left and right, towering watchtowers, like two door panels, sandwiching the peaks in the distance.
Above the peaks, the sky is a particularly blue sky set against the gray-black earth.
One is silent, the other is vast, and they can still be handed over together.
Mu Ming remembered a documentary she watched in her previous life that recorded the scenery of the earth.
Nature never speaks, but he can always give you a blow to your heart inadvertently.
Unfortunately, this kind of leisurely time to watch the sky is rare.
Most of the time, Mu Ming has a lot of other things to do besides carrying the machine.
"Xiao Mu, go up and adjust the light box."
"Xiao Mu, lift that shelf down."
"Xiao Mu ,......"
"Seriously, Xiao Mu.
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With you, the crew saved at least two expenses for field work.
Guanhu said to Mu Ming with a glossy head on his head.
"Director, you tell me the truth, was there one less job in the crew at the beginning, that's why you agreed to me to come over."
Mu Ming hugged the prop box and complained.
Next to him, Huang Bo, Ma Jingwu and the staff laughed happily.
Although Mu Ming is the same as last time, Mu Ming is a newcomer in the crew, but the treatment of the two times is still very different.
Last time, Mu Ming was a pure newcomer in this industry, except for a few staff members who were often in contact with him and Wen Zhang and Wan Qian, who could speak, others didn't pay much attention to him being such a small and transparent.
But this time is different, after all, he is also an investor and producer of a movie that is about to start, and he is also in the upper echelon of the food chain of the film and television industry.
Although it is only the lowest level of the upper layer, it will still make the rest of the crew polite.
Of course, the work has to be done.
This is not only for Mu Ming, but also for everyone in the crew.
For example, now, Huang Bo, who has just won the Golden Horse Actor, is straddling an old bicycle and standing on the top of the slope.
In a moment, he had to ride down the slope and rush to the flash.
Then, the wheels were blocked by the threshold, and the man flew into the house.
Really riding.
Really ride down.
Really fell out.
"Xiao Mu, help me put on an extra layer of mats.
My brother's life is in the hands of these pads.
On the top of the slope, Huang Bochong hid in the house to lay cushions for cushioning Mu Ming and said loudly.
"No, Brother Bo."
Mu Ming also responded loudly: "The director said that the mat is too thick and it is difficult to avoid the camera, and it is not easy to buckle in the later stage, so you can only lay a layer." ” Huang Bo once said in an interview that every time Guanhu asked him to film, he automatically went to buy all kinds of "gold sore medicine" for abrasions, cuts, and burns.
And it is never wasted, as long as the shooting starts, these medicines will definitely be used.
"Get used to it, it's a pavilion tiger after all."
At the end of the interview, Huang Bo reluctantly sighed again.
Soon, the camera was shooting.
I saw Huang Bo riding the dilapidated bicycle on the roof of the house crookedly in circles, and there was an unknown tune in his mouth.
Then, with a turn, the car turned down a steep slope and headed straight for the door of a house.
"Boom!"
It's the sound of wheels hitting the threshold.
"Boom-" This is the sound of the door panel being knocked down.
"Ugh!
Hiss – "This is ......
This is the sound of Huang Bo not falling on the mat, falling to the ground, standing up and shaking his bruised palm to pump cold air.
The surrounding staff hurriedly surrounded and asked about the situation.
"Huang Bo, it's okay."
Guanhu, who was sitting behind the monitor, also hurried over and asked worriedly.
"It's okay, it's okay."
Huang Bo grinned and waved his hand: "Small injury, just rub some medicine." ” "It's okay."
Guanhu breathed a sigh of relief, turned to the surrounding staff and said, "Okay, the props and scenery are reset, rest for five minutes, and come once." ” This didn't work as expected, so I have to do it again.
In other words, Huang Bo has to fall again.
Mu Ming looked at Huang Bo, who was standing aside and the assistant was smearing medicine, and couldn't help but sigh in her heart: "This is what he meows is called an actor." ”