Compared with several other mighty teams, the crew of "Room" did not come much.
In addition to Mu Ming, there is also a heroine Wan Qian.
The rest are the assistants of several people, the staff of Mizuki, and Xiao Zhao, who eats, drinks, plays and sleeps with him.
Well, objectively speaking, Xiao Zhao can also be regarded as a member of the crew, and he also made a cameo appearance.
It's just that Mu Ming is the only one surrounded by reporters at this time.
When I got off the plane to pick up my luggage just now, I happened to run into another plane but arrived at the same time as the crew of "Looking for the Dragon".
Mu Ming didn't expect that Xiao Zhao and Yang Tianbao still knew each other, this young lady pulled Wan Qian, and the three girls chatted together and fell behind.
As a result, Mu Ming, who came out first, had to face the reporter alone.
Because Mu Ming said that there are only three places for questions, the reporters of an entertainment media are still very excited.
Mu Ming casually ordered a sweet-looking girl, but the little girl was squeezed and almost fell.
"Hello Mu Dao.
This is your first time participating in Cannes, what do you think about the competition for the awards?
Are you sure you'll get the award?
” "You have two questions."
Mu Ming smiled, seeing that the girl looked a little confused, she waved her hand indifferently: "Forget it, I'll answer it as a question." ” "Since I'm here to compete for the award, I naturally hope to win the award.
However, the other entries are also excellent, so I can only say that I hope to win the award at the moment.
Comparatively speaking, the best actress may be a little bigger than the big prize palm in the end. ” There are only three questions, and it is impossible for one person to ask them all.
So after hearing Mu Ming's answer, the first girl to ask retreated sensibly.
Mu Ming casually ordered a middle-aged uncle with glasses.
"Director Mu, what do you think of the outbreak of Chinese films among the shortlisted works at this year's Cannes Film Festival?"
There are three Chinese-language films shortlisted for the main competition unit of this year's Cannes Film Festival, in addition to Mu Ming's "Room", there are also Hou Xiaoxian's "Assassin Nie Yinniang" and Jia Zhangke's "The Old Man of Mountains and Rivers".
Three shortlisted places may not seem like much, but compared to normal years, it is already a small explosion.
Like last year's Cannes Film Festival, none of the Chinese-language films were shortlisted for the main competition unit.
"From the perspective of Chinese films, this shows that we have more and more excellent works, and it also shows the development of Chinese films; If it's from the other two movies, I'm sorry, I haven't seen it yet, so I don't have any comments for the time being. ” The reporters were speechless for a while, and what everyone wanted to hear was what you said about the other two works.
But you can't say anything, what people say is really reasonable.
I haven't seen it yet, so what is there to evaluate.
Actually, I didn't say that I had an evaluation, but Mu Ming still had some ideas in her heart.
In summary, he is not very optimistic about these two works.
Jia Zhangke is a frequent visitor to the three major European film festivals and has won numerous awards.
It has always been a cold and realistic style, which can be said to be just in line with the taste of the European judges.
Of course, some people say that it is because the content he shoots is often the dark side of China's relatively backward background.
It just so happens that foreigners like to watch this, so they can win awards.
In fact, not only Jia Zhangke, but most of the entire sixth-generation directors like to shoot these themes.
You can take a look at the award-winning Chinese works over the years, many of which are related to backward feudalism, distorted behavior, and ten years of turmoil.
Film and television works are still a very important means of cultural output, compared with the lengthiness of TV series, movies are undoubtedly more suitable for going abroad.
In a way, this group of sixth-generation directors has indeed made many European countries think that China is still in that poor, backward, and politically controlled environment.
It's all the same, many of our lewd compatriots, don't they still think that the girls on the neon tram can be touched casually.
It is said that foreigners began to become popular in Chinese online novels a few years ago, and God knows what they will make up for the Chinese brain this time.
Jia Kechang's last "Heaven is Destined" was banned in China because of the violent style.
So this time, it was decided to change the route of warmth, so there was this "The Old Man of Mountains and Rivers".
In fact, it can be seen that as he grows older, the young man who dared to take the banned film to participate in the European awards has begun to gradually move closer to the mainstream.
For a creator with a strong personal style, the mainstream symbolizes both the increase of the audience and the beginning of the mediocrity of ideas.
Just like why masters are born in troubled times, there are several masters in literature and art who come out of the mainstream system.
This "The Old Man of Mountains and Rivers", Mu Ming can imagine it even if she hasn't seen it, this must be an excellent work.
But it's just good.
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As for the other "Assassin Nie Yinniang", not to mention, from a certain point of view, it is not an exaggeration to call it the top version of "Little Times".
Cutting so many paper figures to curse, Nie Yinniang's descendants are probably not called Yue Qiluo.
"OK, there's only one last question left."
Mu Ming reminded, and then pointed to a young man.
"Director Mu, you have always been making commercial films, why did you suddenly choose to shoot a literary drama this time?
Will you continue to make commercial films?
"Last question, the lad obviously wanted to learn from the girl who asked the first question.
Mu Ming glanced at him, didn't say anything, and replied: "It's mainly an attempt, I said before that every commercial film director will have what he wants to express after shooting a certain work."
So shooting a non-commercial movie can be regarded as a vent. ” After speaking, Mu Ming walked to the side.
When he was answering reporters' questions before, Xiao Zhao and the others had already bypassed by, and they were waiting for them at the door.
"Director Mu, you haven't finished answering yet.
Will you continue to make commercial films in the future, or will you make a transformation from there?
The young reporter asked anxiously.
"Sorry, there is no preferential treatment for boys, this is already your fourth question."
Mu Ming pushed everyone forward and said, "Okay, according to what I said before, you don't follow me here."
Director Jia Zhangke and their crew are behind, and if you don't go, you won't be able to catch them. ” The crew of "The Old Man of Mountains and Rivers" happened to be on the same plane as Mu Ming and they came over together.
In fact, it can't be said to be a coincidence, it will be the opening ceremony of Cannes in one day, and it is normal to choose to come today.
Mu Ming and Jia Zhangke are not familiar with each other, or in other words, the entire crew of "The Old Man of Mountains and Rivers", except for Dong Zijian, he is not very familiar with him.
So pull them out to attract firepower, without any psychological burden.
Thank you for the 1000-point reward of "Dali Garden Egg Fried Rice 1", and thank you for the reward of "488*.qd", "Bao Baozi Zi", "Chixiao Nine Refinement", and "Dragon Pattern Soul Scattering", thank you.