In the domestic film market, there has always been a saying called Domestic Film Protection Month.
Probably around the summer vacation from May to September, only domestic films are allowed to log in theaters, and imported films can only be released in other months.
This is, of course, protectionist, but it is also necessary.
After all, the summer file, the hottest schedule of the year, is the most suitable time for the release of various blockbusters.
And Hollywood's film industry did have overwhelming strength in the past, so in order to protect domestic blockbusters from being crushed too badly, there was such a period of "excluding dissidents".
This is not only in China, but also in the film market of every country.
However, in the past two years, with the rapid development of the Chinese market, Hollywood has also begun to pay more attention to the Chinese market.
So gradually, the relevant departments are unlikely to continue to protect like this, and the time of the domestic film protection month is slowly shortening.
Basically, until now, there will be more than a month in July and August every year, which is freed up for domestic films.
As for the rest, it is basically up to the operation of the market itself.
For example, this year, since April, several Hollywood blockbusters have been released one after another.
"Fast and Furious 7" took the lead in the next city, swept the box office of 2.4 billion in one month, and topped the mainland box office.
Immediately after, Avengers 2 followed.
Although there is a big gap between the level and the first part, the charm of the superheroes is still there, and they still managed to sweep the box office of 1.45 billion.
Finally, both movies passed, and Spielberg, the most famous Hollywood director in China, came over with "Jurassic World" again.
Although it has not yet been released, relying on Spielberg's name and the attraction of big dinosaurs, as long as it is not too bad, at least it will start with a billion.
In other words, in just three months, three Hollywood blockbusters took nearly 5 billion box office from the mainland market.
If calculated according to last year's film output value, this is equivalent to one-sixth of the total output value of the whole year.
In contrast, the domestic movies during this period are basically almost dead.
Except for "Why Sheng Xiaomo" and "Left Ear", two youth films that rely on the original IP to drive fans, there is basically no domestic movie with a high box office.
And even if the box office of these two movies is not bad, but looking at the evaluation of the movie, it is really a little unacceptable.
Because of this, many viewers have complained that domestic movies are really "not a single one that can be played".
At the same time, several big domestic directors have also been complained about a lot.
Especially Feng Xiaogang, this uncle's reputation in the hearts of the audience in the past two years has been getting worse and worse, and it has basically reached the point where something happened, scold Feng Xiaogang first, and then see what happened.
At this time, he began to publicize his appearance in "Lao Paoer", so some people complained about him, making movies can't compare to others, and he knows every day that he is engaged in this kind of thing.
Not long after the results were finished, Mu Ming also announced her plan to appear in the movie as an actor.
It's okay now, it's hitting the muzzle.
"Mu Ming is big, everyone is knocking on the door, we have to fight back!"
"As a director, can you do something serious!"
"The cameo in "Lao Paoer" is not enough, and I have to star in it.
I have a hunch that Mu Ming is about to become addicted to acting and can't extricate herself. ” “……” In terms of the status in the circle and the merits of domestic film history, Mu Ming is still far from Feng Xiaogang.
But if you look at it from the point of view of praise, then Mu Ming can basically beat Feng Xiaogang.
Therefore, most of his evaluation comments are mainly ridiculed.
Occasionally, the tone is not very polite, and it is also wearing the meaning of "hating iron does not become steel".
There is no way, Mu Ming is equivalent to a director who has grown up with this group of audiences.
From the stunning box office of his debut film "Wolf Boy", to the further step of "Twenty Again", to the sweeping world of "Model Student", and the recent scenery of "Room" in Cannes.
It can be said that in terms of the current many domestic directors, Mu Ming's popularity can be said to be in full swing.
Because of this, many viewers will naturally put more responsibility on him.
Not only his works, but also his contribution to the entire film industry.
After all, with great power comes great responsibility.
Mu Ming doesn't disagree with this statement, objectively speaking, when you stand in a certain position and have a lot of resources, then you naturally have to make your own contribution to this society.
However, contribution is contribution, and that is to rely on one's own initiative, not this imposing method.
Superheroes save people, and that's because they save themselves, not because someone asks them to do so.
In particular, there are a lot of remarks, saying that Mu Ming seems to be able to save the film industry as soon as she makes a move, which is obviously someone leading the rhythm.
Therefore, when the remarks on the Internet had not yet circulated and fermented, Mu Ming posted a Weibo by herself to explain the matter.
Free novels bring you joy and joy ---> storyskyline.net
"First, I will appear in the movie as an actor, in addition to the invitation of director Han Han, it is also to experience the filming from another angle, so that I can better understand the actors' performances, which can be regarded as a supplement to the director's thinking angle."
"Second, I'm just an ordinary film director, and the Chinese film industry doesn't need me to save it yet.
And to be honest, if Chinese films fall to the point where they have to rely on a certain director to save them, there is basically no need to save them. ” "Third, Hollywood blockbusters have swept the market recently, which does not mean that domestic films are inferior to others, but because many of our excellent works happened to not be released at this time.
In fact, starting next month, there will be three films in which we Mizuki participated, and everyone can look forward to it. ” The last one is an advertisement, "The Return of the Great Sage", "Monster Hunt" and "Pancake Man" were all selected for release in the summer file.
The latter two Mizuki only participated in investment and distribution, and only "The Return of the Great Sage" is truly his own work.
Moreover, it is the first animated film produced by Mizuki, so I also attach great importance to it.
The relevant publicity plan has been formulated countless times by Mizuki and is still being revised.
Weibo was posted, and Mu Ming didn't care what the audience said, after all, it wasn't a big deal.
After more than half a month of preparation, Mu Ming arranged the company's related affairs, and then flew to a small town near Jiaxing, Jiangsu, Zhejiang and Xiao Zhao with Xiao Zhao.
"Riding the Wind and Waves" has already started, and the first filming location was chosen in this water town called "Dingzha".
Boxing in the gym and then I'm like a terminal Parkinson's patient now......