How to do the things behind the archaeological team, Yang Jing doesn't have to worry about it, in order to hand over these two sets of heavy treasures to the country, he has already flown too much strength, and now that the matter is completed, the next things have little to do with him.After coming out of the water, Yang Jing said hello to Wang Lao, and began to climb the mountain with the wooden box wrapped in a plastic bag.Since the Wu Zetian Mausoleum below can't be saved, then you have to find another place for Yue Chengzi to settle down.In fact, the original Yuecheng Temple is the best, but the Taoist Temple is about a hundred meters below the water surface.So after thinking about it, Yang Jing still decided to bury Yue Chengzi's remains on the halfway of this mountain.In Chinese Feng Shui, people cannot be buried on the top of a mountain after they die, because it is taboo to bury the descendants of the owner on the top of the mountain to lose their family and wealth.Although Yuechengzi probably has no descendants, Yang Jing will not be stupid enough to bury his remains on the top of the mountain.After burying Yue Chengzi and returning to the water's edge, Gege, accompanied by Morris and them, was driving a speedboat waiting for Yang Jing."
How's it going?
I saw that Elder Wang's expression was a little heavy. ”As soon as Yang Jing got on the speedboat, Gege asked."
It's okay.I'm the one who leads the way, and here is what I found, and only I can take them in.As for how to decide on the follow-up, that's a matter of the above, and I don't care.I'll give the master a call later, and if it's okay, we'll go straight home." ”The speedboat quickly broke through the water and sped off on the surface of the Xiaolangdi Reservoir.Speeding on the water on this kind of summer day, it feels so comfortable.Yang Jing dialed the phone number of Master Liu Lao, explained the situation here in general, and asked Master if he could go back.The master asked Yang Jing to wait, and after more than half an hour, the master's phone called, and he told Yang Jing that he would come back if he wanted to come back, and there was nothing to do with him over there.This is good news.Although it is beautiful by the mountains and rivers, no one wants to stay outside all day in this kind of weather, which is simply life-threatening.Where can you stay here in an air-conditioned room at home?
Not to mention, Old Mike's treasures are about to enter the country, and Yang Jing has to go back to serve those treasures, where does he have time to waste here?
After staying overnight in the ancient town, Yang Jing and his party drove back to Tianqu early the next morning.On the way, Wang Jiazan's phone call came one by one, it turned out that the treasures that were flown from the United States had arrived in Tianqu, and Wang Jiazan, who had volunteered to take full responsibility for this matter, was also a little dumbfounded after seeing so many precious antique works of art, and he had no choice but to urge Yang Jing to come back quickly.Luckily, the museum's underground vault is large enough and the space is fully utilized, so even though there are a lot of these antiques shipped from the United States, they can still fit in.On the way, Yang Jing called the master and asked the Palace Museum for support.Now, counting the old objects collected by Lao Na and Pete Wu, plus these antique artworks shipped from the United States in the form of "cultural relics exchange", the two-story underground vault of the Grand Canal Museum is now full, and the number is enough to tens of thousands.The most important thing is that most of these antique artworks and those old objects are high-quality products.With so many good things, it is absolutely impossible to just count on Wang Jiazan.As soon as Liu Lao and the others heard that Yang Jing had brought a lot of good things from abroad, and they hadn't seen all the treasures that Yang Jing had collected in Yanjing before, so after hearing the disciple's request, they immediately made a report to Dean Shan, and after seeking Dean Shan's consent, the four of them took more than a dozen experts and dozens of staff in the academy to Tianqu by high-speed rail to help the disciples pick up these treasures.Old Man Yang, who lives in Tianqu, also launched a relationship and invited a lot of personnel from the Tianqu Museum and the Provincial Museum to help pick up these treasures.With these experts on board, it's a lot easier to sort out these treasures.And for these experts and masters, it is also an extremely rare thing to be able to go through these fine antique works of art with their own hands.Not to mention that most of these treasures were unheard of before.Therefore, although it is a very hard work to tidy up these treasures, it is like drinking sweetness for these people, and they wish to do such work every day.Yang Jing's grandfather, as well as the old man Yang and the old friends of the old man Yang who rushed over after hearing the news, saw that so many priceless boutiques were concentrated in the Tianqu Museum, and these masters of the older generation also secretly sighed at the skill and courage of Yang Jing, a young man.These masters are well-informed, but they can't imagine any other private museum in China that can compare with the collection of the Grand Canal Museum other than the Palace Museum, and even the collection of most provincial museums is far inferior to this now unknown private museum.Similarly, if you want to talk about treasures, the collection of the Grand Canal Museum is definitely not much worse, if not as good as the Palace Museum.You won't be convinced!
There is no firewood kiln in the Forbidden City, right?"
Lanting Collection Preface" is not the real Forbidden City, right?
The original copy of "Yongle Ceremony" is not in the Forbidden City, right?
There is no authentic work in the Forbidden City, let alone the treasures that Yang Jing bought from overseas, not to mention the Palace Museum, even the Metropolitan Museum and the Louvre in the United States.However, in terms of the quantity and quality of the top collections, the Grand Canal Museum is not inferior to the top international museums.The Grand Canal Museum lacks only quantity.The number of tens of thousands of pieces in the collection sounds like a lot, but compared to the Forbidden City, the Metropolitan Museum, and the Louvre, which are often millions of pieces, the number of collections in the Grand Canal Museum is really small.However, there are really a lot of masterpieces in the Grand Canal Museum, just like the three treasures of the Louvre are "Venus with a Broken Arm", "Statue of Victory" and "Mona Lisa's Smile", but Yang Jing also has three bronze sculptures here and Leonardo da Vinci's "Lida and the Swan"!
No worse than the Louvre Triple Treasure.The four treasures of the Metropolitan Museum of Art in New York are Degas's "Dance Studio", Ducio's "Madonna and Child", Reutz's "Washington Crossing the Delaware" and the Temple of Dandur, but Yang Jing also has Leonardo da Vinci's "Portrait of a Sculptor", Raphael's "Madonna of the Smile" and "Madonna under the Tree" and many other famous painters.Everyone knows that whether it is Degas, Duciou or Reutz, how can it be compared with painters of the level of Leonardo da Vinci, Raphael, Ingres, Monet, and Cézanne?
That's right, Yang Jing's collection does not have a large collection like the Temple of Dandur, but Yang Jing has in his hands a golden scepter and a golden mask of Amenhotep III, the ninth pharaoh of the Eighteenth Dynasty of ancient Egypt, and one golden scepter and one golden mask of Amenhotep IV, the tenth pharaoh of the Eighteenth Dynasty of ancient Egypt!
In addition, there is the scepter that Her Majesty Catherine held when she ascended the throne and a pair of imperial gold armor from King Philip V of Spain!
The combined value of these things is definitely no worse than the Temple of Dandur, and even far surpasses!
Not to mention that Yang Jing still has sixteen Easter eggs in his hand, and the autographed manuscripts of famous writers such as Shakespeare, Tolstoy, and Hugo are placed in the Western world, and any one of them can cause a sensation.Compared with these treasures, the works of Picasso and Van Gogh can only be regarded as ordinary museum collections!
If the country really promised to be able to bring the heirloom seal, Wu Zetian's imitation of Yu Jiuding, Qin Twelve Golden People and the four Peking Man skull fossils to the Grand Canal Museum for exhibition, then Yang Jing really can't think of any other museum's top collection in the world that dares to compete with his own Grand Canal Museum!
Therefore, these peerless treasures of the Grand Canal Museum have an irresistible attraction to those experts and masters, which is also where Yang Jing's confidence lies!